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PictureBook – ‘The Morality of Curiosity’ by Benamon Tame

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We’re delighted to publish a brand new article Benamon Tame’s nineteenth, to his column PictureBook with us here at theappwhisperer. In PictureBook Benamon concentrates on the the story behind the image. As Benamon himself describes it: ‘As Photographic artists we do not just capture stories but create them, the journey behind and the image we present. PictureBook draws on Images selected from my own story series but will also look at the work of the other story tellers within the community’.

Don’t miss this uber creative article from Benamon, fabulous piece. Over to you Benamon. (foreword by Joanne Carter).

 

The Morality of Curiosity – Murnab

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The Morality of Curiosity – Murnab – ©Benamon Tame

 

Dirty bubbles like old copper bearings rolled slowly up the inside of the jar. The cloudy water was the colour of long forgotten tea or the tears that fell from the face of Automatic Eloise the day she had stopped talking. At the base of the jar cables like bloated worms twitched and writhed away, pulsing with the steam heart beat at the other end.

Silver smile and eyes like secret pools track Syster as she adjusts the seal and steps back to admire her creation. Through his eyes she is a strange vision, a pale octopus waving in a sepia world.

Another figure slipped into view, its head white and pointed. This one didn’t not swim, its image did not
shimmer through the water but stood hard and clear.

Murnab shivered and took its first step, back from Loki’s gaze

The morality of Curiosity. In Murnabs eye remix

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‘The morality of Curiosity. In Murnabs eye remix’ – ©Benamon Tame

 

Murnab was made by Syster with what was left when she remade Barnum (Barnum will be in the next piece but I have decided to revise him first). They were the first toys remade by Syster after she altered herself following Loki’s abandoning of the Maker Law.

During the early days of Loki’s rule he had ordered the toys in a strict hierarchy with himself and the other dolls at the top. There had been harsh penalties for different toys mixing or swapping parts. This had started as another tool for Loki to control the room but was also part of the laws of Toy Town. When it became clear that Toy Town would not let Loki and his supporters in he abandoned the law and allowed himself and the other toys to follow the path that Toy Town had already condemned them for.
Syster had found the fish at the bottom of an aquarium that had been stored at the back of the toy room.

Whatever power had affected the toys had touched the living as well and left them with the same resilience of the toys.

The morality of Curiosity. In Systers eye remix

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‘The morality of Curiosity. In Systers eye remix’ – ©Benamon Tame

 

In designing new toys I limit it to materials that might have been in a period toy room with a margin for items left in storage when it was closed. I wanted to bring a steampunk feel to the piece which would be in keeping with the style and also the spirit of the series.

As for a name, reversing Barnum and tweaking a bit seemed appropriate, and as for why Barnum is Barnum, I will save for his story.

I started out with a shot of the doll ( Loki proving my base again!) and the jar on his head with a second shot with my daughter holding the jar ( my girls are used to odd requests for my photos 🙂 to give me the material. I added the material to add some extra texture to the image and a bit more body.

Image. Murnab 1

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‘Image. Murnab 1’ – ©Benamon Tame

 

I blended the two images using Juxtaposer and added some steam punk trim and pipework to the jar to give it a more diving suit feel.I darkened the image using Pictureshow and then blended it back to the original image using Blender to darken the jar to give it a dirty water effect.

I added the fish from a picture I took at a fishmongers, this had been taken a while ago for my stock album, and the new image was blended in the original image using blender.

I then added extra piping to go out of frame, this was Systers first mechanical construct and like the early diving bells and diving suits, the bulk of the apparatus would have been stationary elsewhere.

Image. Murnab2

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‘Image. Murnab2’ – ©Benamon Tame

 

Texture was then added and the image finished in Iris Photo Suite, Snapseed and Pictureshow.

Apps used: Juxtaposer, Iris Photo Suite, Snapseed, Pictureshow, Blender and ScratchCam. For the remixes the following Apps were also used: Lo-Mob, Phonto, Diptic, PicGrunger, Decim8 and Tiny Planet

By Joanne Carter

Joanne Carter, creator of the world’s most popular mobile photography and art website— TheAppWhisperer.com— TheAppWhisperer platform has been a pivotal cyberspace for mobile artists of all abilities to learn about, to explore, to celebrate and to share mobile artworks. Joanne’s compassion, inclusivity, and humility are hallmarks in all that she does, and is particularly evident in the platform she has built. In her words, “We all have the potential to remove ourselves from the centre of any circle and to expand a sphere of compassion outward; to include everyone interested in mobile art, ensuring every artist is within reach”, she has said.
Promotion of mobile artists and the art form as a primary medium in today’s art world, has become her life’s focus. She has presented lectures bolstering mobile artists and their art from as far away as the Museum of Art in Seoul, South Korea to closer to her home in the UK at Focus on Imaging. Her experience as a jurist for mobile art competitions includes: Portugal, Canada, US, S Korea, UK and Italy. And her travels pioneering the breadth of mobile art includes key events in: Frankfurt, Naples, Amalfi Coast, Paris, Brazil, London.
Pioneering the world’s first mobile art online gallery - TheAppWhispererPrintSales.com has extended her reach even further, shipping from London, UK to clients in the US, Europe and The Far East to a global group of collectors looking for exclusive art to hang in their homes and offices. The online gallery specialises in prints for discerning collectors of unique, previously unseen signed limited edition art.
Her journey towards becoming The App Whisperer, includes (but is not limited to) working for a paparazzi photo agency for several years and as a deputy editor for a photo print magazine. Her own freelance photographic journalistic work is also widely acclaimed. She has been published extensively both within the UK and the US in national and international titles. These include The Times, The Sunday Times, The Guardian, Popular Photography & Imaging, dpreview, NikonPro, Which? and more recently with the BBC as a Contributor, Columnist at Vogue Italia and Contributing Editor at LensCulture. Her professional photography has also been widely exhibited throughout Europe, including Italy, Portugal and the UK.
She is currently writing several books, all related to mobile art and is always open to requests for new commissions for either writing or photography projects or a combination of both. Please contact her at: joanne@theappwhisperer.com

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