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A Picture's Worth...,  INTERVIEWS,  News

Mobile Photography and Art – A Picture’s Worth with Catherine Caddigan

A Picture’s Worth‘… is where we ask mobile photographers that have created powerful mobile photography/art to explain the processes they took. This includes their initial thoughts as to what they wanted to create, why they wanted to create it, how they created it, including all apps used and what they wanted to convey. We also ask these incredible artists to explain their emotions and how the image projects those feelings. We have published a few A Picture’s Worth articles recently, if you have missed those – please go here.

In this A Picture’s Worth today we asked Catherine Caddigan to tell us more about her image featured here. Caddigan has detailed her thoughts below, we think you’ll find this invaluable… 

“I shot this portrait with my iPhone 6. I try to capture people in their truest sense, and it’s nice when they can relax with me and really be themselves. When I chose this image to work with I wanted to create a powerful portrait, one that could speak about how women project themselves, but I was not sure where the process would take me.

I then took the portrait to my iPad, fine tuned the image in Snapseed and used Image Blender to drop in a texture in the background, then into Procreate where I did most of the alterations. The collage element of the measuring tape was added in two sizes in two layers. I then painted directly into the portrait layer. This is spontaneous like finger painting, and I worked quickly, the trick is to know when to stop. I find this a rewarding process. A nice feature of Procreate is the “undo.” feature.  I also smeared the image some until I got the affect I wanted. I had reserved a duplicate of that layer before painting and played with the scale, removing what I didn’t need with the eraser and painting and smearing to blend the two images.

I love the painterly effects and layering that can be achieved in Procreate. It’s close to working on a conventional collage for me because of the “hands on” feel of the tools.

Thank you Joanne for asking me to take part in this wonderful series”.

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Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)