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A Picture's Worth...,  Interviews,  News

Mobile Photography and Art – A Picture’s Worth with Susan Detroy from Oregon, United States

A Picture’s Worth‘… is where we ask mobile photographers that have created powerful mobile photography/art to explain the processes they took. This includes their initial thoughts as to what they wanted to create, why they wanted to create it, how they created it, including all apps used and what they wanted to convey.

We also ask these incredible artists to explain their emotions and how the image projects those feelings. We have published a few A Picture’s Worth articles recently, if you have missed those – please go here.

In this ‘A Picture’s Worth’ today we asked Susan Detroy from Oregon, United States to tell us more about this image, featured.  Detroy has detailed her thoughts below, we think you’ll find this invaluable…

“I am pleased to share my process about using apps and creating work with my iPhone and iPad.

I started working with blended and fused apps toward the end of 2016. I am attracted to them because they work in similar ways to my layered pieces to I created before iPhone.

The apps produce familiar feelings as the sensibilities I express with my hard copy work. Blending, combining images and layering are techniques I have been using since the 90’s when I worked with xerography and started doing transfers and lifts with solvents. The apps speak a language I understand.

I picked an image from my current “Self-Portraits of a Woman” series. I was propelled into the series by personal grief, politics and a long photographic history of self-reflection. The “world” seemed to impinge on me and this was how I responded.

For this column, I did my best to remember what I used, as I am impulsive creator, often unaware that it might be important to know how I made what I make. I did my best to keep track.

With “Self-Portraits of a Woman” I am committed to using blending and fusing apps. In the series I confront who I am as I age, the fears and joys of an older female in American culture. I show the inner and outer me and what I care about. The apps support combining photos of myself and the world I inhabit.

I interweave nature, cityscapes or earth elements with my portrait. Sometimes I combine multiple images. When I am watching the choices for blending I move through feelings about how I look, what I feel, and what I want to communicate. I am showing my relationship to my world and how I respond to what surrounds me. I use images to convey my presence, to say here I am, I am who I am and that is how it is. In my process of proclaiming, I revel in moving the images around and going through the choices until I feel a “yes this works for me.”  

In “Birthday Portrait” I combined photographs I took on my recent birthday hike. I turned the camera on my surroundings, and myself using Blackie one of my favorite black and white camera apps. Using Blackie I like to blow out the highlights leaving a wispy image or self-portrait.

The blown out highlights remind me of black and white Infrared film I used to shoot. The two photos I arranged were of myself, and another of trees with my friend in the corner. I enjoy the feeling of magnificence, larger than life me, with the trees growing on and in me. I interpret my friend as a part of my existence in nature. Using her image creates a feeling of admiration and honouring for the trees and honouring my life on the day of my birth.

I use my iPad to edit my pieces. I used Painteresque, another favorite app. I like how it brings lots of detail and texture to the image.  It seems to enliven the information. Next I chose Mextures for a muted colouring, giving it a fluid color feel. And with all apps I feel like I am playing as I move through the choices of colours and the ways I feel as I see them presented.

In this image, as in much of my multiple image work, I play with and enjoy the back and forth feeling the viewer can experience, seeing more than one image, one coming forward, then the other. There is a way some information is hidden and revealed.  This is my contemplative, joyful, and sometimes serious way of communicating.

And always, thanks for TheAppWhisperer and Joanne Carter’s enormous talent and support for the iPhone photography world. If you love this work, please support her and the site”.

 

Photo ©Susan Detroy

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Joanne Carter, creator of the world’s most popular mobile photography and art website— TheAppWhisperer.com— TheAppWhisperer platform has been a pivotal cyberspace for mobile artists of all abilities to learn about, to explore, to celebrate and to share mobile artworks. Joanne’s compassion, inclusivity, and humility are hallmarks in all that she does, and is particularly evident in the platform she has built. In her words, “We all have the potential to remove ourselves from the centre of any circle and to expand a sphere of compassion outward; to include everyone interested in mobile art, ensuring every artist is within reach”, she has said. Promotion of mobile artists and the art form as a primary medium in today’s art world, has become her life’s focus. She has presented lectures bolstering mobile artists and their art from as far away as the Museum of Art in Seoul, South Korea to closer to her home in the UK at Focus on Imaging. Her experience as a jurist for mobile art competitions includes: Portugal, Canada, US, S Korea, UK and Italy. And her travels pioneering the breadth of mobile art includes key events in: Frankfurt, Naples, Amalfi Coast, Paris, Brazil, London. Pioneering the world’s first mobile art online gallery - TheAppWhispererPrintSales.com has extended her reach even further, shipping from London, UK to clients in the US, Europe and The Far East to a global group of collectors looking for exclusive art to hang in their homes and offices. The online gallery specialises in prints for discerning collectors of unique, previously unseen signed limited edition art. Her journey towards becoming The App Whisperer, includes (but is not limited to) working for a paparazzi photo agency for several years and as a deputy editor for a photo print magazine. Her own freelance photographic journalistic work is also widely acclaimed. She has been published extensively both within the UK and the US in national and international titles. These include The Times, The Sunday Times, The Guardian, Popular Photography & Imaging, dpreview, NikonPro, Which? and more recently with the BBC as a Contributor, Columnist at Vogue Italia and Contributing Editor at LensCulture. Her professional photography has also been widely exhibited throughout Europe, including Italy, Portugal and the UK. She is currently writing several books, all related to mobile art and is always open to requests for new commissions for either writing or photography projects or a combination of both. Please contact her at: joanne@theappwhisperer.com

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