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  • mobile art
    News,  SHOWCASE

    Mobile Photography & Art Showcase – 11July 2021

    2021-07-11 / 1 Comment

    I have dedicated my entire life to the pursuit of love and creativity and I spend most of my time encouraging other people to do the same because living a creative life filled with love is the most beautiful life there is. In many ways, the human artistic expression is blessedly, refreshingly, non essential. John Lennon once said about the Beatles, “we were just a band”. Some of the most sublime occasions of my life have been when I have been inspired by the many photographers and artists that I have been lucky enough to surround myself with. The quality of the images submitted to our Flickr Group and Instagram…

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    Joanne Carter

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    News,  SHOWCASE

    Mobile Photography & Art – Flickr/Instagram Group Showcase – 4 April 2021

    2021-04-04 / Comments Off on Mobile Photography & Art – Flickr/Instagram Group Showcase – 4 April 2021

    “The feelings of desperation and unhappinness are more useful to an artist than the feeling of contentment, because desperation and unhappinness stretch your whole sensibility”. A quote by Francis Bacon but one I disagree with. Rufus Wainwright once admitted that he was terrified to settle down into a happy relationship, because without the emotional drama that came from all those dysfunctional love affairs, he was afraid of losing access to ‘that dark lake of pain’ he felt was critical to his music. I disagree that we should all be addicted to suffering, we need to be able to trust pleasure and utilise it to help create art. Too many artists…

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    Joanne Carter

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    News,  SHOWCASE

    Mobile Photography & Art Instagram Showcase – 27 September 2020

    2020-09-27 / Comments Off on Mobile Photography & Art Instagram Showcase – 27 September 2020

    Double Life a book-length photographic project by Kelli Connell has kept me entranced this week. At first, the viewer will imagine that the images are of shared moments in the life of two women, who possibly appear to be a couple. Then as each page is turned, we begin to realise that it’s not two women, it’s one, the same woman and the mystery begins. The images are documentary style and not dissimilar to the autobiographical work of Nan Goldin, albeit without the edgy undertones. Connell describes this project as “intimate moments experienced personally, witnessed in public, or watched on television“. This body of work is regarded as self-portraiture but…

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    Joanne Carter

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