Vadim Demjianov Archives - TheAppWhisperer

Mobile Photography & Art – Flickr/Instagram Group Showcase – 21 July 2019

21/07/201921/07/2019 by Joanne Carter

“Music has charms to sooth a savage breast” wrote the poet William Congreve in 1697 and apparently non more so than Marconi Union’s ‘Weightless’, which I have attached to our showcase this morning. Many of us are aware of the soothing qualities of music upon our souls but now it seems science can back up those claims. Recently, a clinical trial in the US compared the levels of anxiety felt by patients who were prescribed the drug Midazolam and others who were told to listen to this track, ‘Weightless’ by Marconi Union. Those involved in the study were having a spinal nerve block. I’ve had several of these, not recently but following liver surgery, once my liver had regenerated, I found I was still suffering some pain. I am sure the patients in this study were having this nerve block for multiple reasons and to conquer pain with music, seems perfectly plausible to me. Twelve days ago I had day surgery, of which the pain was near on unbearable and I wonder now, if I would have been more comfortable with my headphones playing this music throughout. I’m not sure, I may have just ripped them off as I gripped the surgical bed tightly, but as this English band’s song has been declared the ‘world’s most relaxing song’ maybe it would have helped, next time… If nothing else, I feel a benefit post-operatively and anxiety in this dimension is terribly common and affects the body’s ability to heal. As I’m still experiencing pain, I intend to listen to this music more often and when mixed with this weeks Mobile Photography and Art from artists throughout the world, I am indeed finding it has the unique ability to stop me reaching for painkillers and lull me into a sense of delicious serenity. Enjoy!

Thank you to all the talented artists for submitting your works to our showcase this week. If you would like your work to be considered for entry in to our weekly Mobile Photography and Art Flickr Group, please submit it to our dedicated group, here. You can also submit images to our Instagram tag for this section #mobilephotographyandimagery.

Jenny Pieters @sodium Light, Robin Robertis, Susan Rennie, David DeNagel, Paul Yan, Russ Merz, Tomaso Belloni, Jose Matos, Clint Cline, Lorenka Campos, Carol Wiebe, Meri Walker @iphoneartgirl, Rosa Perry, Gianluca Ricoveri, Vadim Demjianov, Fleur Schim, @filizart, Juta Jazz, Sukru Mehmet Omur, Jill Lian, Laila, Deborah McMillion, Giancarlo Beltrame, Deborah Field, Judy Wahlberg, Peter Wilkin, Jane Schultz @before.1st.light, Catherine Caddigan, M. Cecilia Sao Thiago @klimtt, Damian De Souza @remintrustions, Hanni K, Yariv Weinberg, Jun Yamaguchi, Kathy Clay, Dina Alfasi, Barbara Braman.

Mobile Photography & Art – Flickr/Instagram Group Showcase – 19 May 2019

19/05/201919/05/2019 by Joanne Carter

“Few travelled in these days, for, thanks to the advance of science, the earth was exactly alike all over. Rapid intercourse, from which the previous civilization had hoped so much, had ended by defeating itself. What was the good of going to Peking when it was just like Shrewsbury? Why return to Shrewsbury when it would all be like Peking? Men seldom moved their bodies; all unrest was concentrated in the soul.” ―E.M. Forster, The Machine Stops and the first book that I immediately reread thrice, when I was thirteen. It was the first book that interrupted my thought processes enough to relieve me of outside pressures. It was transient, like a mediation. Today, several new books have been released along an albeit more modern but similar vein. I am thinking of Frankisstein by Jeanette Winterson, author of Oranges Are Not The Only Fruit. As well as Ian McEwan’s ‘Machines Like Me’ new release, set in 1982. This counterfactual novel sees Argentinian end the war abruptly with the Falklands becoming Las Malvinas. McEwan introduces an £86k male robot designed by Alan Turing, who in this book, has not been hounded to death for his homosexuality but instead, lauded for his technological breakthroughs. Of course it’s speculative fiction but the complexity is as disturbing as it is intelligent.

During an interview with Lisa Allardice for The Guardian, in a smart London restaurant last week, Winterson concedes, (in response to the Allardice’s statement that creating this novel (Frankisstein) would have taken her down some unlikely digital paths).“I did worry about that. Watching guys have sex with bots, female sex dolls start at around $2,000 for a really crap one”, she said, and it was no surprise to learn that they are “entirely fantasy. They’ve got huge tits and small waists and long legs, but of course what they haven’t got, and never will have, is a clitoris. They don’t have to worry about that!”

It’s interesting to me how the current crop of writing that is very much in vogue is AI based, much like mobile photography and art. Both arts mirror the trends. While the Machine Stops, represented a sci fi fantasy and immense treasured escape from my living reality, now at 50, Winterson and McEwan, along with the AI of smartphone visualisation represent, our new reality, and are the forces driving the process. Today, this mutual cultural presence is the next revolution, it is not just present within photography, it is reaching all arts. In 2015 Taylor Davidson, for Time magazine, described the camera of the future as an app, “a software rather than a device that compiles data from multiple sensors. The smartphone’s microphone, gyroscope, accelerometer, thermometer and other sensors all contribute data as needed by whatever app calls on it and combines it with the visual data”. Stephen Mayes, went on to contribute “and still that’s not the limit on what is already bundled with our digital imagery. Our instruments are connected to satellites that contribute GPS data while connecting us to the Internet that links our data to all the publicly available information of Wikipedia, Google and countless other resources that know where we are, who was there before us and the associated economic, social and political activity”.

This is the life we now live, we need to ensure we flesh out, some of the moral dilemmas within the drama of everyday life and remember what makes us human. We need no one to write us an algorithm for how to treat others and how to live well, although some humans, may be all the better for it.

Poetic Medium, Jun Yamaguchi, David DeNagel, Caren Drysdale, Deborah McMillion, Art Noonan, Lydia Cassatt, Laila, Karen Axelrad, Eduardo Llerandi, jilllian2 – Jill Lian, Chris Montcalmo, Vladislav Niko, Paul Toussaint, Nick Kenrick, Rita Colantonio, Vadim Demjianov, Allyson Marie, before.1st.light – Jane Schultz, borsbschulz2009, Kat McClelland, Susan Detroy, Amo Passicos, Kerry Mitchell, Will Reyes, Susan Rennie, Gianluca Ricoveri, Kate Zari Roberts, Debara Splendorio, Ralf Mauvog, Peter Wilkin, Rob Pearson-Wright, Clint Cline, TheiPhoneArtGirl – Meri Walker, Rita Colantonio, Catherine Caddigan, p.a.hamel, Jormain Cady.

Music this week is ‘As the Mist Clears’©Salt of the Sound

Mobile Photography & Art – Flickr/Instagram Group Showcase – 12 May 2019

13/05/201912/05/2019 by Joanne Carter

My daughter’s school prom this week manifested into the creation of a taut, magnificently controlled week, with smidgen’s, in my case, of personal survival. The entire week was one of lucid reflection as the period of her school days came to an end with an almost surrealist picture of her leavers celebration. The limpid clarity as an observer and witness to the life changes as she transgresses can only be compared to Claude Cahun’s photomontages, it looks like life, but it’s not life, exactly. Only art can achieve this degree of realism.

I end this week, with a juddering heart, strangely close to tears, knowing that the true emotional nature of this week, gloriously ramps up next week, as her exams commence…

Take heart, view this weeks mobile photography and art lancing showcase, as more and more mobile photographers and artists find us, we are privileged to share their work.

Louise Whiting, Pascale G, Debbie Sutherland, G Billion, Poetic Medium, Kat McClelland, Jun Yamaguchi, Deborah McMillion, Clint Cline, Paul Yan, Arko Rayhan, Prodromos, Vako Darispanashvili, Laila, Peter Wilkin, klimtt – cecilia Sao Thiago, woltarise, Rita Colantonio, Andreas Komodromos, Clare Pickett, Ian Horne, Vadim Demjianov, Tomaso Belloni, Kerry Mitchell, Montse Abad, Kristin, Nick Kenrick, Amo Passicos, Eduardo Llerandi, before.1st.light – Jane Schultz, Catherine Caddigan, Linda Hollier, Lorenka Campos, Barbara Braman, Sarah Kuhn, Judy Wahlberg, Lake MacIntosh, Anthony Madigan, p.a. hamel, TheiPhoneArtGirl – Meri Walker, Charlaleeo, Robin Robertis, Tuba Korhan, Karen Axelrad.

Music this week is ‘You’re own kind of Beautiful’ by Alih-Jey Depena

Mobile Photography & Art – Tickle Your Fancy #62

23/03/2019 by Joanne Carter

Welcome back to our sixty second post in our Tickle Your Fancy section. ‘Tickle Your Fancy’ includes a round-up of between seven to eight links to articles from around TheAppWhisperer over the past few week, that you may by chance have missed. Please note, I’ve been a little unwell this week, so have not published as much as I wanted to.

Just to explain the title for this section Tickle Your Fancy is an English idiom and essentially means that something appeals to you and perhaps stimulates your imagination in an enthusiastic way, we felt it would make a great title for this new section of the site.

Artists cited include Amy Ecenbarger, Rita Colantonio, Valeria Cammareri, Deborah McMillion, Jenny Pieters, Feliz Ak, Kerry Mitchell, Fleur Schim, Diane Neubauer, Peter Wilkin, Lorenka Campos, Paul Yan, Paul Toussaint, Isabel Afonso, Catherine Caddigan, Ile Mont, p.a hamel, David DeNagel, Barbara Nebel, Karen Axelrad, Vadim Demjianov, Rob Pearson-Wright, Deborah McMillion, Linda Hollier, Rita C, Allyson, Tomaso Belloni, Yasuo Furue, 1968selin, Jun Yamaguchi, Clint Cline, Kat McClelland, Candice Railton, Gina Costa, Fleur Schim, before.1st.light – Jane Schultz, Gianluca Ricoveri, Kate Zari Roberts, Hanni K, Kate Zari Roberts, Barbara Braman.

Mobile Photography & Art – Flickr/Instagram Group Showcase – 17 March 2019

17/03/2019 by Joanne Carter

‘Thank you for sleeping with us’, read the headline on my bill as I checked out of a hotel in Amsterdam this week. It amused me ‘thank you for sleeping with us’, why would they use that expression? Was it a nod to the infamous red light district around the corner? Being thanked for sleeping with someone, is a little patronising, don’t you think? I’ve not been thanked for sleeping with anyone before, neither have I returned the sentiment. If I was, I’d feel as if I had just completed a service, as opposed to sharing a vivaciously intimate moment. Or were they implying, how important it is to sleep well and to be ‘well slept individuals’? The bed and pillows were delightfully comfortable, more so than most and had I had the time to achieve the recommended eight hours, this would have been the place to do it. We’re under pressure from so many areas as the world unravels on so many levels and we are under increasing pressure to achieve eight solid hours sleep but surely this must be ideology at its purest? We have to make time to sleep but what if our time is not our own, as was the case in Amsterdam, it was a press trip. However, I did manage to etch out a few awoke solitary moments, in between meetings and they were divine. This was an adventure, I told myself, an intriguing quest, and one that I would regret not seeing through at least a little further along the way. I walked into the hotel restaurant, found a seat backing against a wall (my preferred seating placement), I could see all who approached me, as I ordered North Sea Chowder with a glass of Prosecco, from the attentive waiter, what could be more ambrosial? I delighted in the process, as the waiter asked if I was dining alone and I replied with glee, ‘yes’, he removed the opposing cutlery as the chilled Prosecco slipped slowly down my throat. It’s possible to carve out special moments, just for yourself, you just need to be disciplined enough. Self care is a radical act, let’s all to try to have a #selfcaresunday. The feminist poet Audre Lorde says: “Caring for myself is not self-indulgence, it’s self-preservation, and that is an act of political warfare.” Wishing you all a beautiful Sunday.

Many congratulations to the following artists for being featured this week: Peter Wilkin, Lorenka Campos, Paul Yan, Paul Toussaint, Isabel Afonso, Catherine Caddigan, Ile Mont, p.a hamel, David DeNagel, Barbara Nebel, Karen Axelrad, Vadim Demjianov, Rob Pearson-Wright, Deborah McMillion, Linda Hollier, Rita C, Allyson, Tomaso Belloni, Yasuo Furue, 1968selin, Jun Yamaguchi, Clint Cline, Kat McClelland, Candice Railton, Gina Costa, Fleur Schim, before.1st.light – Jane Schultz, Gianluca Ricoveri, Kate Zari Roberts, Hanni K, Kate Zari Roberts, Barbara Braman.

Music this week is ‘If Only For A Moment’ ©The Weak Need

Mobile Photography & Art – Flickr/Instagram Group Showcase – 10 March 2019

10/03/2019 by Joanne Carter

Why does anything exist at all? I’m an optimistic, don’t worry, but it’s a question which we all spend our lives trying, increasingly strenuously to avoid. Human life, is always held up against the massive fact of nature, impervious and indifferent to man. If we knew our exact end of life date, would we live our lives differently? When humans have brushed up close to death, they do live differently. I know that I do. I was lucky to survive at 24 years old with very serious liver tumours and luck really did play the main part in my survival. Consequently, I have felt on borrowed time ever since, I may live to be 101 like Dorothea Tanning, however it’s most unlikely, I have a short shelf life. But the great virtue of living to that age, is that you get lots of bites of the cherry, you can keep readjusting your career, keep coming back, keep reinventing yourself. This weeks mobile photography & art showcase is a colossal Kubrickian symphony of images, I am an evangelist for it, enjoy! I’m off to Amsterdam this week for a few days, I’ll fill you in on that, post NDA, have a wonderful week everyone, keep creating, live everyday as your last, as I do.

Many congratulations to the following artists for being featured this week:

Peter Wilkin, David DeNagel, nini_nini, Barbara Nebel, Catherine Caddigan, Ioannis Sidiropoulos, Cristina Rossi, Clare Pickett, Ritacall, Paul Yan, Allyson Marie, Candice Railton, Albion Harrison-Naish, Karen Axelrad, Gianluca Ricoveri, Kate Zari Roberts, p.a. hamel, borisbschulz2009, Gina Costa, Susan Rennie, Jun Yamaguchi, Clint Cline, Sheldon Serkin, woltarise, Arko Rayhan, Deborah McMillion, Ade Santora, Vadim Demjianov, Lydia Cassatt, Fleur Schim, Lorenka Campos, Linda Hollier, Tricia Dewey.

Music this week is ‘Everytime I go’ by Sarah Sample

Mobile Photography & Art – Flickr/Instagram Group Showcase – 24 February 2019

25/02/201924/02/2019 by Joanne Carter

“Love is or it ain’t. Thin love ain’t love at all.” ― Toni Morrison, Beloved. I read a lot as a child and I still read a good deal as a adult. Beloved, by Toni Morrison is one book that I read as a teenager, that really stayed with me. My great friend Rachel and I were hungry for literature, we read the same books, at the same times and then studied and reviewed them together. Rachel went on to teach A level literature at a grammar school. Beloved is not an easy read, compared I suppose with something like To Kill a Mocking Bird and by saying that, I do not mean to portray the latter as ‘easy to read’, but it is an incredibly rewarding read and it’s one that never gets tired. “Beloved is one of the few American novels that take every natural element of the novel form and exploit it thoroughly, but in balance with all the other elements. The result is that it is dense but not long, dramatic but not melodramatic, particular and universal, shocking but reassuring, new but at the same time closely connected to the tradition of the novel, and likely to mould or change a reader’s sense of the world”, Jane Smiley. Morrison has just published a new book, spanning five decades its said ‘underscores her rage and linguistic brilliance‘. The title is ‘Mouth full of blood’ and I hope to read it soon.

Literature is on a par with photography and art, they’re not dissimilar, each image tells its own story and that story is interpreted by the reader based on their own life experiences. Each image has been created with the upmost intelligence and hope. It is about the relationship between the artist and the viewer, it is important to become literate in both art forms. “writing with photographs constitutes not a minor subset of literary practice, but [is] rather a founda- tional aspect of the modern reading experience” (Beckman and Weissberg xiii). I am planning on expanding on these thoughts in our forthcoming book ‘Away with Words’ and would love it if you would contribute. To find out more about that, please go here.

Many congratulations to the following artists for being featured this week:

Laila, Robi Gallardo, Deborah McMillion, Jean Hutter, Kerry Mitchell, Robin Robertis, Sergiy Beliayev, Peter Klein, Oola Cristina, Karen Axelrad, Susan Blase, Deborah Field, Susan Maxwell Schmidt, Qingxian Guo, Chet K, Candice Railton, Kat McClelland, Vadim Demjianov, Kate Zari Roberts, Luc Borell, Jun Yamaguchi, Lydia Cassatt, Deborah Field, Catherine Caddigan, Gianluca Ricoveri, jilllian2 – Jill Lian, Juta Jazz, Barbara Braman, Susan Rennie, before.1st.light – Jane Schultz, Borisbschulz2009, ritacall, Fleur Schim, Clint Cline, Eduardo Llerandi.

Mobile Photography & Art – Flickr Group Showcase – 16 December 2018

16/12/201816/12/2018 by Joanne Carter

What is remarkable about your vision, as mobile artists, is that it remains intensely human rooted in common experience, replete with doubt, frustration but also conjoined with belief and certainity. Characteristics demonstrative of our obsession with this new medium. As your journey through this weeks showcase to the centre of the lyrical and artist narrative, your destination alludes to the ultimate climax and is swiftly tempered by the safety of its harbour. This showcase is at the frontier of the world of mobile photography and art. Enjoy!

Thank you to all artists for submitting your works. If you would like your work to be considered for entry in to our weekly Mobile Photography and Art Flickr Group, please submit it to our dedicated group, here.

Many congratulations to the following artists for being featured this week:

Robin Robertis, Alan Evans, Kristie Benoit, Jun Yamaguchi, Donald Williams, jon jon, Milly M, Candice Railton, Eduardo Llerandi, Linda Hollier, Gianluca Ricoveri, Donald Williams, Barbara Nebel, Deborah McMillion, before.1st.light – Jane Schultz, Sourav Das, BorisBSchulz2009, Clint Cline, Vadim Demjianov, Debara Splendorio, Enio Godoy, Catherine Caddigan, Liliana Schwitter, Jean Hutter, R K, Juta Jazz, XQME, Elsa Brenner, Mark Walton1, Hanni K, Kate Zari Roberts, Gina Costa, P. A. Hamel, 1968selin, Tomaso Belloni, zananiro, Buzz Kills, Jill Lian, Peter Wilkin, Lorenka Campos, Karen Axelrad, Barbara Braman, Damian De Souza, Tuba, Lrh Arquitecto – Luison, Rita Colantonio, TheiPhoneArtGirl – Meri Walker, Arko Rayhan, Dieuwke Geervliet, Poetic Medium.

Mobile Photography & Art – Flickr Group Showcase – 11 November 2018

11/11/2018 by Joanne Carter

‘Why Women Have Better Sex Under Socialism‘ what perfect timing, if you pardon the pun. Kristen R Ghodsee has published a thoroughly researched exploration proclaiming that capitalism is bad for women. She argues, adopting some ideas from socialism ‘women will have better lives’ and of course, this includes sex. Ghodsee, an acclaimed ethnographer and professor of Russian and East European Studies, spent years researching what happened to women in countries that transitioned from state socialism to capitalism. In this book, she analysed many facets of a woman’s life – work, parenting, sex and relationships, community and authority. One chapter, entitled “Women: Like Men, But Cheaper,” she discusses women in the workplace, deliberating all things from wage gaps to harassment and discrimination. In “What To Expect When You’re Expecting Exploitation,” she addresses motherhood and how “having it all” is impossible under capitalism. With regards ‘better’ sex, naturally it is hard to substantiate, many cultural factors come into play but what’s interesting is her theory that less inequity decommodifies sex, undermining the odious theory of ‘sexual economics’ as she describes, whereby, women raise the ‘price’ of sex by denying it. She explains “in societies with high levels of gender equality, with strong protections for reproductive freedom, and with large social safety nets, women almost never have to worry about the price their sex will fetch on an open market.” As we are increasingly told this is ‘the year of women’ which I find patronising and as we do rise up and speak out against abusive relationships and gain increased support to leave, perhaps this is enabling sexual freedom? In these trying times, she ends the book with “we can share our attentions without quantifying their value, giving and receiving rather than selling and buying.” It struck me, as I read this book, how much the latter sentence I shared co-relates with our mobile photography and art community. How much we give to each other, how much we share, how much we embrace one another and how much we realign our own art society ensuring that each one of us feels equal to the other. This much we do know and it’s clear to see in this weeks Flickr Group Mobile Photography and Art Showcase, enjoy!

Many congratulations to the following artists for being featured this week:

Woltarise, Song Hui, Debara’ Splendorio, Luison, Sergiy Beliayev, Scott Simpson, HQME, Francesco Sambati, Robert Eckhardt, Liliana Schwitter, David Hayes, Amy Ecenbarger, Tomaso Belloni, No Photographer, Livingsta, Mimages, Marina Sergeevna, Oola Cristina, Y F, Sherrianne100, Erik Viggh, AlexandraPhotos, Karen Axelrad, pineider, Sheldon Serkin, Poetic Medium, Cecily Mariece Caceu, Dadi Gylfason, Fleur Schim, Fiona Christian, Kathy Clay, Candice Railton, Gianluca Ricoveri, Catherine Caddigan, Lindy Ginn, Vadim Demjianov, Trish G, Susan Rennie, Clint Cline, before.1st.light – Jane Schultz, Corbicus Maximus, Dieuwke Geervliet, R K, Milly M, Hanni K, TheiPhoneArtGirl – Meri Walker, Jun Yamaguchi, Lorenka Campos, Eduardo Llerandi, Chhororo.

Music this week is ‘Ghost’ by Jacob Lee

Mobile Photography & Art – Flickr Group Showcase – 28 October 2018

28/10/201828/10/2018 by Joanne Carter

Life is an enactment, art the outward manifestation of the scenes performed on an inner stage and no greater is this portrayal witnessed than in this weeks Mobile Photography and Art Showcase. Consciously desexed, I am somewhat a phenomenolgist as I curate each week. Infilitrating the discrepancies between reasoning and imagination, demanding the subjectivity of the objectiveness of each work of art, I invite all viewers to experience the anteriority of mobile art; the power, the strength and the hauntingly honesty of this new movement of art. As Emily Dickinson, whom I have been reading this week, knew, the truth that underlies all art is an apocalyptic yearning for ecstasy, the aura of euphoria is here. Enjoy!

Many congratulations to the following artists for being featured this week:

partha.ts, David Hayes, Dina Alfasi, TheiPhoneArtGirl – Meri Walker, Frederic Hutter, Josephy Cyr, Cristina Rossi, Mark Swanson, jilllian2 – Jill Lian, Chris Feichtner, Woltarise, aka Tman, Susan Maxwell Schmidt, Rob Pearson Wright, Shel Serkin, Clint Cline, Luison, Eduardo Llerandi, Barbara Nebel, Robert Laliberte, Poetic Medium, Oksana Shendrik, Kate Zari Roberts, Larissa Paschoalli, Sergiy Beliayev, before.1st.light – Jane Schultz, Jun Yamaguchi, Buzz Kills, Ioannis Sidiropoulos, Oola Cristina, Vadim Demjianov, Susan Rennie, Gianluca Ricoveri, Gina Costa, Lindy Ginn, Garry Ryon, Louise Whiting, Susan Rennie, Dina Alfasi, Larissa Paschoalli, Candice Railton, Tomaso Belloni, Oksana Shendrik, Robert Laliberte, Frederic Hutter

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