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Apple’s Chinese Glass Temple

Considering the iPad has not officially arrived in China yet, Apple have wasted no time putting in place twelve rounded glass panels standing over 12.5 meter (41 feet) to create the cylindrical dome. The Apple logo is suspended above a glass stairway that corkscrews into the underground retail space. Is this the most high-tech Apple store to date? As Apple embarks on a major China retail expansion, not least of the reasons for it to source locally is the nation’s tax of up to 30% on certain glass imports. And of course, China already has a role making its iPhone and iPad.

Spectacular

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The glassmaking industry in China is no slouch, from the early 1990s China had overtaken the U.S. in flat glass production and last year it’s output topped 28.7 million-ton – that’s six time Nick Limb the Managing Partner at Ducker Worldwide estimate for 2009 of U.S. shipments.

Trends in glass underscore a broader shift for the world’s new No. 2 economy. Moving beyond cheap-for-export manufacturing and strengthened by domestic growth, Chinese companies increasingly compete in sophisticated, capital-intensive global businesses.

 

 

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North Glass Safety Glass Co. in Beijing got the nod for Shanghai after cutting its teeth on less complex Apple store projects in New York and Beijing. With less than 62 pieces of glass, this project still took 12 months to complete. The complexity: ultra-clear, tempered, scratch-, stain- and bubble-free glass panels, six layers thick, 12.563 meters tall and 2.578 meters wide.

 

 

Beautiful At Night

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A DuPont Co. division supplied glass-strengthening materials to the Apple project. Some shop glass came from Shandong Jin Jing Technology Co., which has worked with PPG and is also producing blast-resistant windows for One World Trade Center, New York’s newest and tallest skyscraper.

Special cranes lifted the glass panels in place, and Apple’s store opened to overflow crowds on July 7.

 

Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)