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Mobile Photography – Tip Of The Day – Number 14

Welcome to another brand new section from your favourite mobile photography website and one of the most popular in the world. Today, we’re publishing our fourteenth Mobile Photography/Art Tip Of The Day to our brand new section of the site.

Every day we will publish a short quick tip to help you with your mobile photography, this may be related to editing your image, capturing your image, printing your image, all manner of things, across the complete photographic and art mobile genre – we’ll be featuring great mobile street photography tips, great blending tips, great cloning tips, we will cover it all from some of the greatest mobile photographers and artists in the world. We’ll also have a widget in our right hand column, displaying the Tip of The Day every day, just click on that and you will be taken to our tip of  the Day archive.

We are delighted to publish our fourteenth Tip Of The Day today with a fabulous one from Clint Cline. We have featured Clint’s wonderful images in many of our Flickr group showcases, if you’ve missed those, please go here. We have also featured him recently within our Top Five Photo Apps article here.

Over to you Clint (foreword by Joanne Carter)…

 

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‘As is my tendency while shooting landscape or street images I tend to play the observer and shoot from a safe distance. But an amazing shot Andy Royston did recently challenged me to get involved in the scene I’m shooting. So I took that to the beach with me this week.

While I captured a lot of lovely scenics and panoramas and some incredible James Clarke cloudys, the most fun was looking at the beach as a sandpiper might, eye-to-eye with the surf.

Kneeling into the oncoming waves I immediately panicked with a “what was I thinking moment” and pulled my tripod and unprotected iPhone up and away from the surf. That’s when I heard my wife laughing onshore…so I knew I had to get the shot. Back down I went, waited through a few cycles of waves to roll in front of me to gauge distance and splash, then snap, snap, reeled off a slew of shots using three different apps (Hipstamatic, 645Pro, and the onboard camera).

I checked out the camera roll as I waded onshore and knew I had a few keepers. As a lifelong art director I’m so accustomed to organizing or composing a scene for a shot. But being IN the scene itself forces you to confront a new frame of reference, and the perspective it unfolds is amazing’.

Links To All Apps Used

Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)

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