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News,  Saturday Poetry

Mobile Photography & Art – Saturday Poetry – ‘After the Movie’ by Marie Howe with Rodolfo Alcaraz

This weeks Saturday Poetry, matched with mobile photography/art is entitled ‘After the Movie’ by Marie Howe. She was born in 1950 in Rochester, New York and she worked as a newspaper reporter and teacher before receiving her MFA from Columbia University in 1983.

She is the author of Magdalene (W. W. Norton, 2017), which was long-listed for the National Book Award; The Kingdom of Ordinary Time (W. W. Norton, 2009), which was a finalist for the Los Angeles Times Book Prize; What the Living Do (W. W. Norton, 1998); and The Good Thief (Persea Books, 1988), which was selected by Margaret Atwood for the 1987 National Poetry Series.

What the Living Do is in many ways an elegy for her brother, John, who died of AIDS in 1989. In 1995, she coedited the anthology In the Company of My Solitude: American Writing from the AIDS Pandemic (Persea, 1995).

I have matched this image by @rodolfo.alcaraz entitled PIEL DE MARIPOSA’, meaning ‘Butterfly Skin’ You can follow him on Instagram, here.

If you would like to be featured in our Saturday Poetry section, please ensure you include the hashtag #theappwhisperer to any images posted to Instagram. This will mean we will be able to consider it.

To view the others we have published in this section, go here.

Source poets.org

After the Movie by Marie Howe

My friend Michael and I are walking home arguing about the movie.

He says that he believes a person can love someone

and still be able to murder that person.

I say, No, that’s not love. That’s attachment.

Michael says, No, that’s love. You can love someone, then come to a day

when you’re forced to think “it’s him or me”

think “me” and kill him.

I say, Then it’s not love anymore.

Michael says, It was love up to then though.

I say, Maybe we mean different things by the same word.

Michael says, Humans are complicated: love can exist even in the

    murderous heart.

I say that what he might mean by love is desire.

Love is not a feeling, I say. And Michael says, Then what is it?

We’re walking along West 16th Street—a clear unclouded night—and I hear my voice

repeating what I used to say to my husband: Love is action, I used to say

    to him.

Simone Weil says that when you really love you are able to look at

    someone you want to eat and not eat them.

Janis Joplin says, take another little piece of my heart now baby.

Meister Eckhardt says that as long as we love images we are doomed to

    live in purgatory.

Michael and I stand on the corner of 6th Avenue saying goodnight.

I can’t drink enough of the tangerine spritzer I’ve just bought—

again and again I bring the cold can to my mouth and suck the stuff from

the hole the flip top made.

What are you doing tomorrow? Michael says.

But what I think he’s saying is “You are too strict. You are

    a nun.”

Then I think, Do I love Michael enough to allow him to think these things

    of me even if he’s not thinking them?

Above Manhattan, the moon wanes, and the sky turns clearer and colder.

Although the days, after the solstice, have started to lengthen,

we both know the winter has only begun.

mobile photography

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Joanne Carter is a British photographer, photography journalist, editor and curator and the founder and editorial director of TheAppWhisperer.com, an independent international photography publication established in 2009.Her journalism, criticism and commentary have appeared in The Times, The Sunday Times, The Guardian, Financial Times, BBC, Vogue Italia, LensCulture, Popular Photography, Android Magazine, NikonPro, DPReview, Which Digital Camera and Which Camera. She has lectured internationally on photography and mobile art, served as a juror for international photography awards, and exhibited her own photographic work across the UK, Europe, South Korea and the United States.Alongside her editorial work, Joanne's photographic and postgraduate research explores death, grief, memory, representation and social inequality through contemporary photography, participatory practice and visual research methods, with the longer-term aim of developing this work through doctoral research.Through TheAppWhisperer, she continues to publish independent photography journalism spanning contemporary photographic practice, mobile imaging, photographic apps, computational photography and emerging imaging technologies.Joanne is available for editorial commissions, photography projects, judging, curatorial work, speaking engagements, consultancy and selected collaborations.