Fifth New Assignment Announced ‘Hope’ for our Forthcoming Book ‘Away with Words’

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In January we announced a brand new Assignment section to TheAppWhisperer offering an opportunity for mobile photographers and artists to enter into a monthly assignment on a subject matter that we have individually crafted. This new section is another ground breaking topic within our community. Like so many of the sections within TheAppWhisperer, this has not been done before, in this way.

Photographic images have reflected and shaped culture since the inception of the medium and this is non more so apparent than shown within mobile photography and art. The power of mobile art today is inevitably entangled with the diverse tolerances that cultures have in relation to photographs and the vast divergence within different cultures too. Over the past ten years of mobile photography and art we have all experienced great controversies in the world and still, they ensue. Mobile photography is inextricably linked to personal accountability and each member of our mobile community represents a force to relation to our continually changing cultural values, whether by challenging them or reflecting them; photography is co-creating them.

At the end of each month, we will gather the images that have been contributed and select one for an immersive critique. I will personally write this with over 1000 words. Each critique will identify the elements, contextual meaning of these elements, interpretation and conclusion. Each critique will then be published not only on TheAppWhisperer, the world’s most popular mobile photography & art website but also throughout our vast social media channels. At the end of the year, we will publish a book featuring all of these critiques. As you can appreciate each critique will take some time to create well, so we ask, if you would like to take part to donate £10 per image that you submit (there is no limit to the number of images you submit), we feel this is fair. To do this, just select the appropriate allowance at the bottom of our donation section at the end of this post.

We are currently writing our fourth chapter entitled ‘Beauty and Awe’ and this will be published soon. To read the previous published chapters, please go here.

Today we are announcing our fifth Assignment with the topic entitled ‘Hope’. Creating art, photography or otherwise, is an outlet to express our emotions. This fifth assignment can be interpreted in your art literally or metaphorically, or any other interpretations you may draw, all entries are welcome. This assignment window will close on 25 June 2019, when we will announce the new one. To take part please send your image(s) to my email address – joanne@theappwhisperer.com and/or to Instagram with this hashtag #tawhope. Please send £10 per image to enter this assignment via the donation table below.

Read moreFifth New Assignment Announced ‘Hope’ for our Forthcoming Book ‘Away with Words’

Assignment – ‘Melancholy’ – Result and Third Essay with Peter Wilkin – @ for our forthcoming book – Away with Words

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With two chapters behind us, our third chapter begins to take shape for our forthcoming book ‘Away with Words’, this will be published early next year.

Our ‘assignment’ for this chapter was ‘Melancholy’ and we have selected Peter Wilkin’s image from the selection we were sent, as we feel it epitomises this subject, for our third of twelve 1000 word essays, personally written by myself.

This non fiction work merges discursive scholarship with what may be construed as personal flights of fancy. That is not to say it will disappoint, moreover I have given myself a far and wide range to delve into photography, literature, art, theory, design and music as I tease out my own offbeat associations and at the same time astutely tune into each mobile photographers key tropes and artfully deconstruct their imagery. I thus begin:

 

 

Read moreAssignment – ‘Melancholy’ – Result and Third Essay with Peter Wilkin – @ for our forthcoming book – Away with Words

Fourth New Assignment Announced ‘Beauty & Awe’ for our Forthcoming Book ‘Away with Words’

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In January we announced a brand new Assignment section to TheAppWhisperer offering an opportunity for mobile photographers and artists to enter into a monthly assignment on a subject matter that we have individually crafted. This new section is another ground breaking topic within our community. Like so many of the sections within TheAppWhisperer, this has not been done before, in this way.

Photographic images have reflected and shaped culture since the inception of the medium and this is non more so apparent than shown within mobile photography and art. The power of mobile art today is inevitably entangled with the diverse tolerances that cultures have in relation to photographs and the vast divergence within different cultures too. Over the past ten years of mobile photography and art we have all experienced great controversies in the world and still, they ensue. Mobile photography is inextricably linked to personal accountability and each member of our mobile community represents a force to relation to our continually changing cultural values, whether by challenging them or reflecting them; photography is co-creating them.

At the end of each month, we will gather the images that have been contributed and select one for an immersive critique. I will personally write this with over 1000 words. Each critique will identify the elements, contextual meaning of these elements, interpretation and conclusion. Each critique will then be published not only on TheAppWhisperer, the world’s most popular mobile photography & art website but also throughout our vast social media channels. At the end of the year, we will publish a book featuring all of these critiques. As you can appreciate each critique will take some time to create well, so we ask, if you would like to take part to donate £10 per image that you submit (there is no limit to the number of images you submit), we feel this is fair. To do this, just select the appropriate allowance at the bottom of our donation section at the end of this post.

We have recently published our third chapter with Peter Wilkin’s image for our ‘Melancholy’ theme, if you missed that please go here.

Today we are announcing our fourth Assignment with the topic entitled ‘Beauty & Awe’. Creating art, photography or otherwise, is an outlet to express our emotions. This fourth assignment can be interpreted in your art literally or metaphorically, or any other interpretations you may draw, all entries are welcome. This assignment window will close on 23 May 2019, when we will announce the new one. To take part please send your image(s) to my email address – joanne@theappwhisperer.com and/or to Instagram with this hashtag #tawbeautyandaweassignment. Please send £10 per image to enter this assignment via the donation table below.

Read moreFourth New Assignment Announced ‘Beauty & Awe’ for our Forthcoming Book ‘Away with Words’

Third New Assignment Announced ‘Melancholy’ for our Forthcoming Book ‘Away with Words’

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In January we announced a brand new Assignment section to TheAppWhisperer offering an opportunity for mobile photographers and artists to enter into a monthly assignment on a subject matter that we have individually crafted. This new section is another ground breaking topic within our community. Like so many of the sections within TheAppWhisperer, this has not been done before, in this way.

Photographic images have reflected and shaped culture since the inception of the medium and this is non more so apparent than shown within mobile photography and art. The power of mobile art today is inevitably entangled with the diverse tolerances that cultures have in relation to photographs and the vast divergence within different cultures too. Over the past ten years of mobile photography and art we have all experienced great controversies in the world and still, they ensue. Mobile photography is inextricably linked to personal accountability and each member of our mobile community represents a force to relation to our continually changing cultural values, whether by challenging them or reflecting them; photography is co-creating them.

At the end of each month, we will gather the images that have been contributed and select one for an immersive critique. I will personally write this with over 1000 words. Each critique will identify the elements, contextual meaning of these elements, interpretation and conclusion. Each critique will then be published not only on TheAppWhisperer, the world’s most popular mobile photography & art website but also throughout our vast social media channels. At the end of the year, we will publish a book featuring all of these critiques. As you can appreciate each critique will take some time to create well, so we ask, if you would like to take part to donate £10 per image that you submit (there is no limit to the number of images you submit), we feel this is fair. To do this, just select the appropriate allowance at the bottom of our donation section at the end of this post.

Earlier today we published our our second chapter for this book, an essay with Valeria Cammareri’s image focused on the word ‘Identity’, if you missed that, please go here.

In January we published our first essay with an image from Rita Colantino If you missed that, please go here.

Today we are announcing our third Assignment with the topic entitled ‘Melancholy’. Creating art, photography or otherwise, is an outlet to express our emotions. This third assignment can be interpreted in your art literally or metaphorically, or any other interpretations you may draw, all entries are welcome. This assignment window will close on 20 April 2019, when we will announce the new one. To take part please send your image(s) to my email address – joanne@theappwhisperer.com and/or to Instagram with this hashtag #tawmelancholyassignment. Please send £10 per image to enter this assignment via the donation table below.

Read moreThird New Assignment Announced ‘Melancholy’ for our Forthcoming Book ‘Away with Words’

Assignment – ‘Identity’ – Result and Second Essay with Valeria Cammareri @_soulkitchen_ for our forthcoming book – Away with Words

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With one chapter behind us, our second chapter begins to take shape for our forthcoming book ‘Away with Words’, this will be published early next year.

Our assignment’ for this chapter was ‘Identity’ and we selected Valeria Cammareri’s photograph as we feel it epitomises this subject, for our second of twelve 1000 word essays, personally written by myself.

This non fiction work merges discursive scholarship with what may be construed as personal flights of fancy. That is not to say it will disappoint, moreover I have given myself a far and wide range to delve into photography, literature, art, theory, design and music as I tease out my own offbeat associations and at the same time astutely tune into each mobile photographers key tropes and artfully deconstruct their imagery. I thus begin:

 

What are we looking at? We are looking at a colour photograph taken, we might assume on a hot summer night or evening. The image has been shot from the street with a Moment telephoto lens attached to an Apple iPhone X. A young white, slim woman is in a state of undress, in a grand building against one large window. This second or third floor window is widely open and there are full length, ceiling height, white curtains, tied back to the inner walls, on one side. There is a light on within the room. The woman is clearly visible with the glow of the lighting revealing her standing in a black silk bra with matching black knickers. She is looking at her reflection in what we may presume, as we cannot say for sure, a full length mirror. She is adjusting her long brunette hair. It is pulled back into a pony tail and she appears to be adding a ribbon to the bobble, close to the back of her head. There are clothes hanging on a rail in the background inside of the room and there is also a door inside that is wide open, leading with light.

There is an air of confidence emitting from the woman, she is not self-conscious of being viewed from the room in a state of undress. This is an image that raises questions of voyeurism and surveillance. We selected it for our Identity chapter because it also raises questions reflecting boundaries about technology too. There are moral questions to be answered here, who’s looking, how are they looking and why are they looking. Do you look, or do you look away?

 

How can this image be interpreted? Photography’, Diane Arbus once said, “was a licence to go wherever I wanted and to do what I wanted to do. I always thought of photography as a naughty thing to do… when I first did it I felt very perverse.”  

We are living in a digitally driven culture, most people, at least in the West have a mobile phone, thus a camera and view themselves as photographers, of sorts. Technology, has freed us to bear witness but it has also made voyeurs of us all. It could also be said that it offers fresh ways of satisfying our desire for a ‘secret glimpse’. The internet is overloaded with images far more explicit than this, we are all just a click away from an image that may shock, repel or intensely and intimately please us. Susan Sontag, in her book ‘On Photography’, in 1977, said of  the volume of imagery and ease of access to it, ‘once one has seen such images, one has started down the road of seeing more – and more. Images transfix. Images anaesthetise’. Of course, this is true, not least in relation to sexually explicit imagery, it is a vexed issue.

When viewing sexually explicit images does it make us complicit in their production? In the United Kingdom we considered photographer Bob Carlos Clarke our answer to the German/Australian photographer, Helmut Newton. I met the former many years and ago and the passion emitting from his being stayed with me, one of the most awoke men I have met, a thrilling ally.  I loved his personal style as well as his style of photography. Clarke’s images of women were erotic, long before they were popularised on the internet or elsewhere. Clarke would have loved this image of Cammareri’s except, he would not be in the street below. He would have been in the room with this woman. He would have  dressed at least half of her body in rubber and positioned her in a seductive position, thus directing the entire photograph, to his vision. This photograph and the initiation of capture are different, Cammareri has possibly chanced upon this image and seized this shot, unawares.

This photograph is not about sex but it is a question of identity at least in the broadest terms of identity.  Advertising brands in 2019 are presenting realistic depictions of women. Since ‘#metoo’ imagery in advertising has harboured a paramount role. Imagery works on an unconscious level, reinforcing our conceptions around identity. Seven years ago, Getty Images launched a collection of images in partnership with LeanIn.org, the women’s empowerment platform set up by Sheryl Sandberg. This collection devotes itself to the powerful depiction of women in contemporary work and life. It demands that modern women need to be portrayed realistically and these images need to be easily accessible and available to be used.  Perception is slowly changing.

I am not surmising that Cammareri is envisaging an advertising campaign here but what I am taking into account is that this image offers a nuanced view of women’s lives today. Pointedly, the woman in this photograph, is an actress, or perhaps an opera singer, maybe a professional dancer and she has returned to her dressing room to change for the next scene. This photograph is not erotic in the same sense of a Bob Carlos Clarke photograph, it is though, an image depicting a modern young woman today and as are all we are aware, imagery is the driving force that is shaping the world as we know it. It is crucially important to view evolving portrayals of life’s choices and to celebrate diversity, both from the model’s perspective, as well as the photographer taking the image.

Valeria Cammareri is a female photographer and her image has escalated the challenge of ‘Identity’ that we assigned. Judith Kegan Gardiner writes in ‘The University of Chicago Press Journals’, “The word ‘identity’ is paradoxical in itself, meaning both sameness and distinctiveness, and its contradictions proliferate when it is applied to women”. In the book ‘Reinventing Womanhood’, the author Carolyn Heilbrun illustrates the confusion, “successful women are ‘male-identified’ but that it is a ‘failure’ for a ‘woman to take her identity from her man” she says. Sandra Gilbert and Susan Gubar’s book, that happens to be one that I treasure and is always to hand, entitled ‘The Madwoman in the Attic’ find ‘the woman’s quest for self-definition’ the underlying plot of nineteenth century writing by women”.

We have a paradoxical fascination with identity, in terms of photography, we’re still confused as to whether we’re supposed to open or close our eyes to its prurient explorations of voyeurism, which in many ways, serve to distract rather than focus our attention. We have a strong desire to connect with strangers, to see them to record our vision, however thoughtfully we do this, the underlying subtext will always remain controversial. 

 

Read moreAssignment – ‘Identity’ – Result and Second Essay with Valeria Cammareri @_soulkitchen_ for our forthcoming book – Away with Words

#tawindentityassignment – New Assignment – For Forthcoming Book

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Would you like to feature in our forthcoming book ‘Away with Words’? Our new book will feature twelve photographs selected from a monthly assignment challenge, each accompanied by no less than a 1000 word essay. We recently published our first essay, from January, which will form our first chapter of our new book. We have republished the essay and accompanying image by Rita Colantonio below.

Today, we are discussing our second Assignment with the topic entitled ‘Identity’ this can be interpreted as fashion, thinking about clothing that people wear, sexually, or any other interpretations you may draw, all entries are welcome. This assignment window will close on 16 March 2019, when we will announce the new one. To take part please send your image(s) to my email address – joanne@theappwhisperer.com and/or to Instagram with this hashtag #tawidentityassignment. At the end of each month, we will gather the images that have been contributed and select one for this immersive critique. I will personally write this with over 1000 words. Each critique will identify the elements, contextual meaning of these elements, interpretation and conclusion. Each critique will then be published not only on TheAppWhisperer, the world’s most popular mobile photography & art website but also throughout our vast social media channels. At the end of the year, we will publish a book featuring all of these critiques. As you can appreciate each critique will take some time to create well, so we ask, if you would like to take part to donate £10 per image that you submit (there is no limit to the number of images you submit), we feel this is fair. To do this, just select the appropriate allowance at the bottom of our donation section at the end of this post.

 

 

Read more#tawindentityassignment – New Assignment – For Forthcoming Book

Second New Assignment Announced ‘Identity’ for our Forthcoming Book ‘Away with Words’

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In January we announced a brand new assisgnment section to TheAppWhisperer offering an opportunity for mobile photographers and artists to enter into a monthly assignment on a subject matter that we have individually crafted. This new section is another ground breaking topic within our community. Like so many of the sections within TheAppWhisperer, this has not been done before, in this way.

Photographic images have reflected and shaped culture since the inception of the medium and this is non more so apparent than shown within mobile photography and art. The power of mobile art today is inevitably entangled with the diverse tolerances that cultures have in relation to photographs and the vast divergence within different cultures too. Over the past ten years of mobile photography and art we have all experienced great controversies in the world and still, they ensue. Mobile photography is inextricably linked to personal accountability and each member of our mobile community represents a force to relation to our continually changing cultural values, whether by challenging them or reflecting them; photography is co-creating them.

At the end of each month, we will gather the images that have been contributed and select one for an immersive critique. I will personally write this with over 1000 words. Each critique will identify the elements, contextual meaning of these elements, interpretation and conclusion. Each critique will then be published not only on TheAppWhisperer, the world’s most popular mobile photography & art website but also throughout our vast social media channels. At the end of the year, we will publish a book featuring all of these critiques. As you can appreciate each critique will take some time to create well, so we ask, if you would like to take part to donate £10 per image that you submit (there is no limit to the number of images you submit), we feel this is fair. To do this, just select the appropriate allowance at the bottom of our donation section at the end of this post.

Yesterday we published our first chapter with an image from Rita Colantino and a one thousand word essage. If you missed that, please go here.

Today we are announcing our second Assignment with the topic entitled ‘Identity’ this can be interpreted as fashion, thinking about clothing that people wear, sexually, or any other intrepretations you may draw, all entries are welcome. This assignment window will close on 16 March 2019, when we will announce the new one. To take part please send your image(s) to my email address – joanne@theappwhisperer.com and/or to Instagram with this hashtag #tawidentityassignment.

 

Read moreSecond New Assignment Announced ‘Identity’ for our Forthcoming Book ‘Away with Words’

Assignment – Reflection – Result and First Essay with Rita Colantonio for our Upcoming Book ‘Away with Words’

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As the first chapter of our new book ‘Away with Words’ begins to take shape, Rita Colantonio’s work is the perfect conceptual starting point for our series of twelve 1000 word essays personally written by myself. This non fiction work merges discursive scholarship with what may be construed as personal flights of fancy. That’s not to say it will disappoint, moreover I have given myself a far and wide range to delve into photography, literature, art, theory, design and music as I tease out my own offbeat associations and at the same time astutely tune into each mobile photographers key tropes and artfully deconstruct their imagery. I thus begin…

What are we looking at?  We are looking at a street photograph or perhaps it could be referred to as ‘candid’ or a ‘social documentary photograph’ as this genre includes people in a public place. We are looking at Colantonio’s image of  two young ostensibly anonymous opposing sex adults, sitting side by side a canal in Venice. The weather appears ambient, the trees are in full leaf. Colourful bed laundry has been strung out to dry adjacent to an apartment window. It is not summer but perhaps spring time as the couple in the foreground are wearing jackets, to seemingly prevent a chill. There is the feeling of intimacy between the two adults as well as monumentality, in the expression of the depths of ordinary life. There may be glare from the reflection of the canal, both adults wear sunglasses to shield their eyes. The female rests her head on her left hand and in turn her elbow rests upon her left knee. Her right arm is drawn across her waist. Her legs are naked and closed together at the knees, with her feet and her lower legs wide apart. She wears green ankle boots. Her red handbag is adjacent to her left side and it is open. It looks as if there is a bottle of still water peeping out, perhaps she has just shared a drink. Her long brunette hair is parted at the centre and falls loosely over her shoulders. The male with shoulder length blond hair and slight beard, touches the shin of his left leg, it is bent at the knee and faces the female, his right leg is more upright but also bent at the knee. He wears green cropped trousers with colourful red and blue laced trainers. He wears a large watch on his right wrist and the sunlight catches the face.

How can this image be interpreted? The young adults are not talking, they appear to be in deep thought. The female’s cocked head looks ponderous. We don’t know whether she is pondering doubts or pondering something bigger. The male may be forlorn or he may not. We can create a distinction between identity and imaging. It looks like something, but we don’t actually know. This photograph challenges our perceptions, perhaps they need to make an important decision but equally are we ready to accept the reality of other concepts?

One of my favourite books and I have plenty is entitled ‘Flaneuse’ by Lauren Elkin. From the French verb ‘flaner’, the ‘flaneur’. or ‘the one who wanders aimlessly’. There’s a chapter within this book entitled ‘Venice – Obedience’ and within this she discusses another good read, ‘The Comfort of Strangers’ by Ian McEwan. This book is set in Venice and it is not your typical Venetian romance, if anything, it is seedy but to Elkin she felt that reading McEwan’s book, ‘loosened something in her mind, or maybe planted something’. She was unsure of exactly what it was but it left her with the determination to write about Venice and as she describes later, she had recognised Venice as a ‘shadowy double for Paris’ and I could not agree more. Having arrived in Venice via a splashing vaporetto two summers ago, I recognise both viewpoints and most of all, in this instance of Rita Colantonio’s imagery. Colantonio has a painterly eye for colour and composition and it is palpable in this colour photograph. There is a deep attentiveness that speaks of her disinterest in anything other than making the seemingly mundane world outside of this image seem luminously beautiful. I conjure the fantasy that this young couple are students of art history specialising in the early Renaissance. They appear unaware or at least, indifferent that Colantonio is taking their photograph. A photographs context is a powerful determinant of its perceived meaning.

Conclusion

Colantonio is a photographer possessed of a painter’s sensibility, spreading dramatic texture and tenderness throughout this image. There is visual rhyme and potentially reasoning in this photograph. The bells in Venice ring every fifteen minutes, for fifteen minutes, there’s never silence but this image emulates that there is.  Colantonio does not transfigure or transform this couple, she has captured them in plain sight. There may be tension of unspoken conversations or this may represent precious quiet moments of shared company. There is no expression of feeling of poetic awkwardness. We know that Colantonio is present and also manifestly absent from the field of the image, this is the view through her lens. We are viewing what she wants us to see, at the moment of exposure.  Colantonio shows us the true contours of this young couple’s relationship, the simple crushing human truth of a great picture representing simple humanity, isn’t that what we all need?

Colantonio has captured the essence of our assignment ‘Reflection’ perfectly. Our brief was that it could be interpreted both literally and figuratively and Colantonio has illustrated her understanding and deciphered our brief consummately. We have the reflection from the canal as well as the reflection in each of the character’s facial expressions. Ad Reinhart once quipped ’Sculpture is something you bump into when you back up to look at a painting”, extirpating that expression, I would say “Portraiture is something you sometimes bump into when you back up to look at street photography.

Read moreAssignment – Reflection – Result and First Essay with Rita Colantonio for our Upcoming Book ‘Away with Words’

Mobile Photography & Art – ‘Away With Words – ThAppWhisperer Assignment Book – Volume 1’

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Earlier this week we announced our first Mobile Photography & Art Assignment of the year. We are offering an opportunity for mobile photographers and artists to enter into a monthly assignment on a subject matter that we have individually crafted over a period of twelve months. At the end of the year, we will create a book, entitled ‘Away With Words – TheAppWhisperer Assignment Book – Volume 1‘.

At the end of each month, we will gather the images that have been contributed and select one for an immersive critique. I will personally write this with over 1000 words. Each critique will identify the elements, contextual meaning of these elements, interpretation and conclusion. Each critique will then be published not only on TheAppWhisperer, the world’s most popular mobile photography & art website but also throughout our vast social media channels. At the end of the year, we will publish a book featuring all of these critiques. As you can appreciate each critique will take some time to create well, so we ask, if you would like to take part to donate £10 per image that you submit (there is no limit to the number of images you submit), we feel this is fair. To do this, just select the appropriate allowance at the bottom of our donation section at the end of this post.

Our Assignment for January 2019 is entitled ‘Reflection’ – this can be interpreted both literally and figuratively, all entries are welcome and so far we have received some stunning ones. This assignment window will close on 15 February 2019, when we will announce the new one. To take part please send your image(s) to my email address – joanne@theappwhisperer.com and/or to Instagram with this hashtag #tawreflectionassignment.

Read moreMobile Photography & Art – ‘Away With Words – ThAppWhisperer Assignment Book – Volume 1’

Brand New ‘Assignment’ Section at TheAppWhisperer.com

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We are very excited today to launch a new section to TheAppWhisperer.com. We are offering an opportunity for mobile photographers and artists to enter into a monthly assignment on a subject matter that we have individually crafted. This new section is another ground breaking topic within our community. Like so many of the sections within TheAppWhisperer, this has not been done before, in this way.

Photographic images have reflected and shaped culture since the inception of the medium and this is non more so apparent than shown within mobile photography and art. The power of mobile art today is inevitably entangled with the diverse tolerances that cultures have in relation to photographs and the vast divergence within different cultures too. Over the past ten years of mobile photography and art we have all experienced great controversies in the world and still, they ensue. Mobile photography is inextricably linked to personal accountability and each member of our mobile community represents a force to relation to our continually changing cultural values, whether by challenging them or reflecting them; photography is co-creating them.

At the end of each month, we will gather the images that have been contributed and select one for an immersive critique. I will personally write this with over 1000 words. Each critique will identify the elements, contextual meaning of these elements, interpretation and conclusion. Each critique will then be published not only on TheAppWhisperer, the world’s most popular mobile photography & art website but also throughout our vast social media channels. At the end of the year, we will publish a book featuring all of these critiques. As you can appreciate each critique will take some time to create well, so we ask, if you would like to take part to donate £10 per image that you submit (there is no limit to the number of images you submit), we feel this is fair. To do this, just select the appropriate allowance at the bottom of our donation section at the end of this post.

Our Assignment for January 2019 is entitled ‘Reflection’ – this can be interpreted both literally and figuratively, all entries are welcome. This assignment window will close on 15 February 2019, when we will announce the new one. To take part please send your image(s) to my email address – joanne@theappwhisperer.com and/or to Instagram with this hashtag #tawreflectionassignment.

Read moreBrand New ‘Assignment’ Section at TheAppWhisperer.com

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