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    • art
      FEATURES,  News,  SHOWCASE

      The Greatest Mobile Photography / Art New Year Resolutions 2023 From Artists Throughout The World

      2023-01-11 / Comments Off on The Greatest Mobile Photography / Art New Year Resolutions 2023 From Artists Throughout The World

      For many 2022 was a blur, we find ourselves here in 2023 almost without realising it. We are all still trying to recover from the pandemic, physically, mentally and financially, there are few among us that it hasn’t taken its toll. Yet, here we are doing what artists do, creating, rejoicing and sharing. Enjoy this long read, it is such a good opportunity to check in on everyone. Thank you to all who have contributed to making this year’s resolutions making this one the biggest ever as always, if I have missed anyone, please know it was not intentional, remind me, send me your content,  and I will open the…

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      2021-01-03 / Comments Off on Mobile Photography / Art New Year Resolutions 2021 From Artists Throughout The World

      2020 has been an unstable and blistering year and the idea of making New Year Resolutions for 2021 seems overwhelming. Susan Rennie, an Award Winning Mobile Artist from California, expressed it so well, she wants “to slough off the pandemic carapace of terror, debilitation and devitalisation and recover my pre-pandemic eagerness, energy, enjoyments, explorations in creativity”. And Award Winning artist Lisa Cirenza, who managed to relocate from the UK to France during the pandemic expressed “at one point during my battle with C-Beast, I found I really didn’t think I’d ever have the energy to accept and reflect, to lead a creative life again full of roads unknown“. For Kate…

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      2020-12-23 / Comments Off on Mobile Photography and Art – Draw The Line Column – Still Life Challenge

      Huge thanks to our curators and Award Winning Editors of our Draw the Line Column, Carol Wiebe and Peter Wilkin for selecting these astounding images to our latest ‘Still Life’ challenge and also for creating the wonderful accompanying video showcase. It’s beautiful (foreword by Joanne Carter). “Firstly, sincere thanks to everyone who posted to our Still Life challenge. As always, it was so difficult (but extremely enjoyable) choosing just nine images for our showcase, the artwork in this Group really is top drawer. We have tried to choose images that highlight the theme and also include plenty of lines, scratches, scrawls & symbols as is a requirement of our ‘Draw…

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      Mobile Photography & Art Flickr and Instagram Showcase – 1 November 2020

      2020-11-01 / Comments Off on Mobile Photography & Art Flickr and Instagram Showcase – 1 November 2020

      ‘An attempt at Exhausting a Place in Paris’ is a book written by Georges Perec and it’s quite wonderful. Perec wrote down everything he could see from a specific viewpoint, which happened to be a public piazza in 1974. He recorded people in the street passing by, the traffic, the birds, a wedding and a later funeral, litter, signs, signals, everything. It’s an elaborate and possibly obsessive glimpse into how the mundane detail can become a series of intimacy and remembrance. As this week in the UK and most of Europe plunge back into ‘lockdown’, or perhaps ‘lock up’ is more appropriate and we all await with shuddering uncertainty the…

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      2020-10-25 / Comments Off on Mobile Photography & Art Flickr and Instagram Showcase – 25 October 2020

      Memories often provide a great access point for creating a body of work artwork. I’ve been looking at a series entiteld “if you get married again, will you still love me?“. Essentially,  separated fathers were asked for memories of words spoken to them by their children. Utilising this information and based upon the spoken responses and what images they invoked in the artists mind, Sharon Boothroyd tried to understand what the children may have been thinking or feeling at the time. The series presents emotional moments, often out of view from the public space, of fathers with their children or children contemplating their new life not living with their father.…

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      Forty two years ago, in 1978, the Museum of Modern Art (MOMA) delivered a press release for a photographic exhibition presenting major shifts in photography over the previous twenty years. John Szarkowski was head of the photography department at MOMA at the time and he believed that these changes were repositioning photography as an artform in America, calculating a new cutting edge structure to the medium. “The two creative motives that have been contrasted here are not discrete. Ultimately each of the pictures in this book is part of a single, complex, plastic tradition. Since the early days of that tradition, an interior debate has contested issues parallel to those…

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      Huge thanks to our curators and editors of our Draw the Line Column, Carol Wiebe and Peter Wilkin for selecting these wining images to our latest challenge and also for creating the wonderful accompanying video showcase. “With over 200 tagged images entered in our latest challenge ‘Identity’, selecting just nine of them for our showcase was predictably difficult yet simultaneously extremely enjoyable. The standard of your art, as it always is, was incredible. The vast majority of images focused on people & portraits: some of them were self-portraits whilst some featured other people. After hours of deliberation I finally settled on the nine pieces below, although I could easily have…

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      Double Life a book-length photographic project by Kelli Connell has kept me entranced this week. At first, the viewer will imagine that the images are of shared moments in the life of two women, who possibly appear to be a couple. Then as each page is turned, we begin to realise that it’s not two women, it’s one, the same woman and the mystery begins. The images are documentary style and not dissimilar to the autobiographical work of Nan Goldin, albeit without the edgy undertones. Connell describes this project as “intimate moments experienced personally, witnessed in public, or watched on television“. This body of work is regarded as self-portraiture but…

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      As photographers it can be difficult to know when not to take a photograph. Sometimes these moments are out of our control, perhaps based on ethical, moral or religious grounds. When I look back at the times I chose not to take a photograph one moment stands apart from the others. It was early morning and I was on a train enroute to my job at a paparazzi photo agency. I had a window seat, which was unusual and I noticed her immediately. It was the billowing blue floral dress that caught my eye, it was so summery, so joyous and yet the weather was bleak, cold, dark and it…

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      Mobile Photography & Art Instagram Showcase – 6 September 2020

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      Many photographers draw on literary influences on which to base their images. Hannah Starkey used Alfred, Lord Tennyson’s 1832 poem T​he Lady of Shalott​ as a reference point for a body of work exhibited at Maureen Paley Gallery in 2010. In the poem, The Lady of Shalott is subject to a curse. She is only able to view the real world refectled through a mirror. Temptation ensues and she sneaks a glimpse at a knight’s shining sword, looks out of the window and dies. This is a very brief gist of the poem but the idea is that if you only view the world through shadows of reality through reflections…

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