showcase Archives - TheAppWhisperer

Mobile Photography & Art – Flickr/Instagram Group Showcase – 19 May 2019

19/05/201919/05/2019 by Joanne Carter

“Few travelled in these days, for, thanks to the advance of science, the earth was exactly alike all over. Rapid intercourse, from which the previous civilization had hoped so much, had ended by defeating itself. What was the good of going to Peking when it was just like Shrewsbury? Why return to Shrewsbury when it would all be like Peking? Men seldom moved their bodies; all unrest was concentrated in the soul.” ―E.M. Forster, The Machine Stops and the first book that I immediately reread thrice, when I was thirteen. It was the first book that interrupted my thought processes enough to relieve me of outside pressures. It was transient, like a mediation. Today, several new books have been released along an albeit more modern but similar vein. I am thinking of Frankisstein by Jeanette Winterson, author of Oranges Are Not The Only Fruit. As well as Ian McEwan’s ‘Machines Like Me’ new release, set in 1982. This counterfactual novel sees Argentinian end the war abruptly with the Falklands becoming Las Malvinas. McEwan introduces an £86k male robot designed by Alan Turing, who in this book, has not been hounded to death for his homosexuality but instead, lauded for his technological breakthroughs. Of course it’s speculative fiction but the complexity is as disturbing as it is intelligent.

During an interview with Lisa Allardice for The Guardian, in a smart London restaurant last week, Winterson concedes, (in response to the Allardice’s statement that creating this novel (Frankisstein) would have taken her down some unlikely digital paths).“I did worry about that. Watching guys have sex with bots, female sex dolls start at around $2,000 for a really crap one”, she said, and it was no surprise to learn that they are “entirely fantasy. They’ve got huge tits and small waists and long legs, but of course what they haven’t got, and never will have, is a clitoris. They don’t have to worry about that!”

It’s interesting to me how the current crop of writing that is very much in vogue is AI based, much like mobile photography and art. Both arts mirror the trends. While the Machine Stops, represented a sci fi fantasy and immense treasured escape from my living reality, now at 50, Winterson and McEwan, along with the AI of smartphone visualisation represent, our new reality, and are the forces driving the process. Today, this mutual cultural presence is the next revolution, it is not just present within photography, it is reaching all arts. In 2015 Taylor Davidson, for Time magazine, described the camera of the future as an app, “a software rather than a device that compiles data from multiple sensors. The smartphone’s microphone, gyroscope, accelerometer, thermometer and other sensors all contribute data as needed by whatever app calls on it and combines it with the visual data”. Stephen Mayes, went on to contribute “and still that’s not the limit on what is already bundled with our digital imagery. Our instruments are connected to satellites that contribute GPS data while connecting us to the Internet that links our data to all the publicly available information of Wikipedia, Google and countless other resources that know where we are, who was there before us and the associated economic, social and political activity”.

This is the life we now live, we need to ensure we flesh out, some of the moral dilemmas within the drama of everyday life and remember what makes us human. We need no one to write us an algorithm for how to treat others and how to live well, although some humans, may be all the better for it.

Thank you to all the talented artists for submitting your works to our showcase this week. If you would like your work to be considered for entry in to our weekly Mobile Photography and Art Flickr Group, please submit it to our dedicated group, here. You can also submit images to our Instagram tag for this section #mobilephotographyandimagery.

Poetic Medium, Jun Yamaguchi, David DeNagel, Caren Drysdale, Deborah McMillion, Art Noonan, Lydia Cassatt, Laila, Karen Axelrad, Eduardo Llerandi, jilllian2 – Jill Lian, Chris Montcalmo, Vladislav Niko, Paul Toussaint, Nick Kenrick, Rita Colantonio, Vadim Demjianov, Allyson Marie, before.1st.light – Jane Schultz, borsbschulz2009, Kat McClelland, Susan Detroy, Amo Passicos, Kerry Mitchell, Will Reyes, Susan Rennie, Gianluca Ricoveri, Kate Zari Roberts, Debara Splendorio, Ralf Mauvog, Peter Wilkin, Rob Pearson-Wright, Clint Cline, TheiPhoneArtGirl – Meri Walker, Rita Colantonio, Catherine Caddigan, p.a.hamel, Jormain Cady.

Music this week is ‘As the Mist Clears’©Salt of the Sound

Mobile Photography & Art – Flickr/Instagram Group Showcase – 5 May 2019

05/05/201905/05/2019 by Joanne Carter

“Whenever the world throws rose petals at you, which thrill and seduce the ego, beware” Anne Lamott. I was told a similar thing, not quite so poetically, when I was promoted and became the technical editor of a print camera magazine, many years ago… it’s long gone. “Many congratulations Joanne, but keep those feet on the ground“, cautioned the main editor of the title. Sound advice, but doesn’t it get a little boring sometimes? For years now, I’ve noticed that I have become more and more sensible and it’s getting frustrating. I’m organised, at least in my mind, it might not show physically in my office. I keep my children’s diaries, as well as my own ticking over, day by day. I attend fabulous five star art events, around the world, I attend school meetings with senior teachers, I view the most breathtaking art – on a daily basis, I share my life with the richest most eloquent artists I’ve ever had the good fortune to befriend, I read and respond to specialist medical reports, I attend countless hospital appointments and physical examinations monthly and each time, return home, to remain forever sensible and organised. Even my car, is so understated that it only occurred to me recently, why it was that every single time I look into my rear view mirror on the motorway, that there seems to be a horizontal row of traffic a good 100 yards behind me, the reason being, the British public appear to believe this is an undercover police car and I’m about to turn on my hidden blue lights to anyone who overtakes me. It’s actually quite useful, I can get to destinations much quicker and my car remains untouched when unattended (unusual for around here).

To desire is as good as to possess and I think, I’ll just keep being judicious a little longer, at least until I can fully reveal what I’m working on, after that, I can assure you, my feet won’t touch the ground, yours won’t either and the only blue lights we’ll see, will be the ones at the celebratory party!

Oola Cristina, Chris Feichtner, Paul Yan, Jun Yamaguchi, Clint Cline, Lydia Cassatt, Robin Robertis, Allyson Marie, Karen Axelrad, Catherine Caddigan, Jennifer Bracewell, borisbschulz, Poetic Medium, jilllian2 – Jill Lian, Yasuo Furue, Tracey Grumbach, Rita Colantonio, Kristie Michele Art – Kristie Benoit, Joseph Cyr, Kat McClelland, Lawrence Lazare, Damian De Souza, before.1st.light – Jane Schultz, Susan Blase, jon jon, Kate Zari Roberts, Susan Rennie, Judy Wahlberg, Rob Pearson-Wright, TheiPhoneArtGirl – Meri Walker, p.a. hamel, Michael Brunsfeld, Lorenka Campos, Candice Railton, Gianluca Ricoveri.

Music this week is ‘Anchor’ ©Stephanie Schneiderman

Mobile Photography & Art – Flickr/Instagram Group Showcase – 28 April 2019

28/04/201928/04/2019 by Joanne Carter

“If you’re paying attention and making your own life as beautiful and rich and fun as it can be, you might just attract someone who’s doing the same thing, you can give up on tracking someone down with your butterfly net.” Words by Anne Lamott, who married this week at Deer Park Villa, in Fairfax, California. She met her husband through a dating site, called OurTime, a matchmaking site for the over 50’s. She had been single for a long period and felt absolutely no wanton feelings to change that. When asked, by the New York Times writer, Lois Smith Brady, 26th April 2019, why she stayed single so long, she replied that she was shy and introverted and hated leaving the house, particularly for parties.“If I go to a party, I become a Roz Chast character with my arms hanging at my sides and I feel like I’m developing a tic,”. Lamott has has published 18 memoirs and novels, many about being a recovering alcoholic, single mother, perpetual worrier and late-in-life churchgoer. I’ve read many of her books, you knew that was coming, right? I read incessantly, there’s only one thing that frustrates me about reading and that is that I can’t write and view images at the same time. I’m good at multi-tasking but not at that. Perhaps, it’s a learning difficulty, yesterday morning I spent many hours supporting one of my children as they undertook an updated private disability assessment with an acclaimed consultant, to enable them to successfully progress onto the next stage of their life. Feeling emotionally, mentally and physically drained post test, we both later collapsed at home, for a while. Disability diagnoses, if necessary, are crucially important when navigating this world. So many obstacles appear very quickly insurmountable without the correct support and often are but with it, you can fly.

What I love about Lamott, is she is a fighter, as I am, as my family are, we are a strong and very healthy, positive, loving unit, that’s not to say, life is easy because it is not but we try to focus on the things that really matter, whilst simultaneously fighting to keep the wolves from the door. Smith Brady, closed her article in the New York Times describing Lamott as ,’A natural cheerleader, especially for underdogs’. Lamott later posted on her Facebook page, “never give up, no matter how things look or how long they take. Don’t quit before the miracle.” And so, I say to all of you incredibly talented mobile photographers and artists out there, I can reveal, very candidly that there is a miracle opening here and I am going to ensure you’re all cordially invited to be part of it, it is coming and I am very excited. Stand by me, there is ecstasy in paying attention.

Paul Yan, Hanna Martins, Anastasia Potekhina, Jun Yamaguchi, Cathrine Halsor, borisbschulz2009, Debara Splendorio, Tricia Dewey, Sherrianne100, Laila, qingxian guo, Eduardo Llerandi, Michael Brunsfeld, Fiona Keyes, Scott Simpson, Kat McClelland, Erika Brothers, F4810P, Susan Detroy, Enio Godoy, Rita Colantonio, Lorenka Campos, Emma Dauvin, Lawrence Lazare, Peter Wilkin, Nick Kenrick, Kathy Clay, Milly M, Tomaso Belloni, Arko Rayhan, Anthony Madigan, jillian2 – Jill Lian, Gianluca Ricoveri, Tuba, Kate Zari Roberts, p.a.hamel, lifequest22, Ioannis Sidirpoulos.

Mobile Photography & Art – Flickr/Instagram Group Showcase – 21 April 2019

22/04/201921/04/2019 by Joanne Carter

Earlier this year, I attended the press view of ‘A Fortnight Of Tears’ by and with Tracey Emin, at The White Cube Gallery, London. What has interested me, particularly, since the exhibition are the wide ranging and diverse reviews and critiques of this show. Having spent time speaking with Emin, as well as sharing the exhibition and space with her, I felt closer to this artwork and to her psyche than I ever have before. Many of the reviews were critical, she is an artist who has always attracted harsh critics. Her most infamous work “My Bed” (1988), is in many ways, metaphorically, part of this exhibition. It’s re-inacted as fifty huge iPhone selfie images displayed on the gallery walls, taken as she awakes in bed, displaying plastic surgery scars, moods and various nightgown changes. In an interview, she describes to Griselda Murray Brown, Financial Times, how this exhibition relates, “the Bed for me, is the closest thing that I have to [these] works because I stained that bed, I cried in that bed, I shit in that bed, I fucked in that bed, probably vomited in that bed. Everything that that bed is, is in [these] paintings”. Her theme of art has been the same for sometime, over 30 years, and consists mainly of abuse, abortion, love, loss, death, so not for the fainthearted but to define this recurring theme in one word, I would choose ‘life’. She has relentlessly been criticised for yelling about rape, this was before the #MeToo era and her response to that was “Of course I’m screaming about rape. Why shouldn’t I be?” frankly, I couldn’t agree more, don’t you? “I kept trying to say [this] to people years ago”, Emin continued. “Suddenly I’m allowed to express myself and to have the language and the voice that I’ve had for years and years. Now we’re in a time where we can put things right, and this is what my work is about”. Critics continue to urge her to ‘move on’ but much of the true grit of life, is incessant.

Another recurring critical aspect of Emin’s art and again it’s one that is repeated throughout the art world, is ‘is it art?’. I wonder why we are still asking this question.

In 1988, Richard Woodward wrote a feature article in the New York Times discussing recent photographic work, entitled “It’s Art, But Is It Photography?’. He went on to say “It isn’t clear anymore how photography should be valued or looked at, where within our museums it should be exhibited-even what is or is not a photograph”. In the late 1800’s debates literally raged about the status of photography, ‘is it art or not?’ critics hollered. Amusingly, (or not, depending on your sense of humour), in the 1920’s even Edward Weston accused pictorial photographers of making ‘pseudo paintings, instead of photographs’. Of course the debate has shifted full circle. Since the 1960’s , the question of whether photography is art became irrelevant with the acceptance of photography into museum collections. But the question once again shifted in the late 1980s to ‘Is it photography?’. It could be said that the prestigious Museum of Modern Art (MOMA) in New York was not accepting of the depiction, not of art but of photography and in turm, what could be concluded, as photography. Prior to the 1990s MOMA had not given an exhibition to David Hockney, Robert Mapplethorpe, Cindy Sherman among others. It seems the theory being the work of these artists might have been art, but not photography.

This is an extract of a larger piece of writing that I am working on and it is relevant today in our era of mobile photography and art. We have made huge strides to encompass what we know is the most formidable and time changling art today but we still have further to travel. This weeks mobile photography and showcase, highlights once again the pioneering artists pushing the boundaries, challenging the status quo. Colour and wild creativity flourish, each visionary coherently embracing dreaming, while awake. Enjoy!

Music this week – ‘Ghost’ ©Jacob Lee

Gianluca Ricoveri, Rita Colantonio, Tuba, Kathy Clay, Fleur Schim, Kate Zari Roberts, Jun Yamaguchi, Candice Railton, Erik Beck, Nick Kenrick, Joseph Cyr, Poetic Medium, Erik Viggh, Susan Blase, jon jon, AleDi Gangi, borisbschulz2009, Catherine Caddigan, Mark Swanson, Johann Veers, Deborah McMillion, Ivan_sl, Francesco Sambati, Cristina Rossi, Clint Cline, Sherrianne100, TheiPhoneArtGirl – Meri Walker, Rob Pearson-Wright, Susan Rennie, Amo Passicos, klimtt – M. Cecilia Sao Thiago, 123ems, Lorenka Campos, Karen Axelrad, Ian Clarke, Tricia Dewey, Ioannis Sidiropoulos, Heather McAlister, Jane Schultz – before.1st.light, p.a.hamel.

Mobile Photography & Art – Flickr/Instagram Group Showcase – 24 March 2019

24/03/2019 by Joanne Carter

As a journalist of many decades, I’ve always been attuned to what is communicated to me and mostly I commit it to memory. I store up conversations and it is a treat for me to unwrap them at will. I may be in the bath, and recall a glorious conversation that made me laugh many moons ago and will laugh out loud, much to the amusement of my family. I may wake in the night and remember somber stories I have been told or witnessed and thus shed tears. But now there’s a new phenomenon too, to gather stories. Since the implementation of the mobile phone, people appear to have loud one-sided conversations wherever they may be. It’s good timing for me, because I have severe hearing loss and have only had digital aids for a few years. Since having these aids fitted, a whole world has opened up, or so it seems. It took me a while to progress to wearing digital hearing aids all day, when you have has spent most of your life without aids, suddenly hearing everything, can be really challenging, as with any radical lifestyle change. I remember sitting in a Drs waiting room one day and I could hear the other patients talking to each other. When my GP called me in to her room, I asked her if it was ‘normal’ to be able to hear other patients talking in the waiting room and she said, ‘yes, that’s normal’. And so, when on the bus the other day, I should not have been surprised to overhear a conversation that a woman was having with a friend. It appeared (to me) that she really didn’t care who overheard when she confided that her boyfriend had left her, for another friend (since renamed to ‘that slag’) and she was trying to sell a necklace on eBay that he had given her. The problem was, eBayer’s didn’t appear to believe the necklace was genuine and she was determined ‘not to give it away’. She said ‘I don’t wanna wear it anymore, I don’t want to think of him around my neck, touching my body’. One person who was interested on eBay wanted to see a copy of the receipt for evidence it was a valuable item. She didn’t have it because the necklace had been a gift from her boyfriend and she wasn’t going to ask him for it ‘now that he’s with that slag’ and so it went on. I have no idea whether she ever did manage to sell the necklace, for what she wanted but I was almost quite ready to vouch its genuineness after I got off at my stop. Of course, one of the advantages of wearing hearing aids, is you can take them out at will and remain in complete silence and go back to peace and beautiful memories.

Next week, I’m going to be in the gorgeous city of Paris for most of the week at a press event. I’ll report back, wishing you all a beautiful week too.

Tricia Dewey, TheiPhoneArtGirl – Meri Walker, Sheriannnne, deanwgd608, Kat McClelland, jilllian2 – Jill Lian, Jun Yamaguchi, Susan Maxwell Schmidt, Bobby Chin, Rita Colantonio, Klaudia Cechini, Isabel Afonso, Candice Railton, Peter Wilkin, Lorenka Campos, Hanni K, Gina Costa, Sara Augenbraun, borisbschulz2009, Deborah McMillion, Clint Cline, Gianluca Ricoveri, p.a. hamel, Kate Zari Roberts, Susan Rennie, Manfred Majer, Barbara Braman, Catherine Caddigan, Fleur Schim.

Mobile Photography & Art – Flickr/Instagram Group Showcase – 3 March 2019

03/03/2019 by Joanne Carter

Enthralling, unexpected, beautifully assembled this weeks Mobile Photography & Art Showcase will please all; for it upholds our passionate belief in the continuities of mobile art. Nothing comes from nothing: In the truest sense, these works are a sign of the times, each one, committed realism. This is a showcase bursting at its seams with astute pieces exposing meaningful disruption. Enjoy!

Many congratulations to the following artists for being featured this week:

Oola Cristina, Scott Simpson, jon jon, Robin Robertis, Amo Passicos, Eduardo Llerandi, Deborah McMillion, Clare Pickett, Anastasia Potekhina, Jon Arne Foss, Y F, Karen Axelrad, TheiPhoneArtGirl – Meri Walker, Jun Yamaguchi, Enio Godoy, Rob Pearson-Wright, Debara Splendorio, Tricia Dewey, Lindy Ginn, before.1st.light – Jane Schultz, Gianluca Ricoveri, Clint Cline, Hanni K, Tracey Grumbach, Liliana Schwitter, Kate Zari Roberts, Susan Rennie, jilllian2 – Jill Lian, Barbara Nebel, Susan Maxwell Schmidt, Salwa Afef, Candice Railton, Victor Reynolds, p.a.hamel, Poetic Medium, Rita Colantinio.

Mobile Photography & Art – Flickr/Instagram Group Showcase – 3 February 2019

03/02/2019 by Joanne Carter

The path of true love… did it ever run smoothly? I don’t think anyone can say agree positively with that. Arguing the toss with someone you love – can be futile and the consequences make it uncomfortable. Disagreeing with restraint, is the ideal but how many of us do that, all of the time? Whether this week has meant you’ve loaded the dishwasher in silence with your partner, or with strong words and broken crockery, we have to make a time to come together and try not to cross some of the ideological lines. So, how do we do that? How do we get back to that initial feeling of being passionately in love? Well, this week, having cut one of my fingers gravely, way too early in the morning, I’ve been somewhat restricted in what I can do, driving, cooking, typing and washing my hair. Fortunately, my husband took care of the latter yesterday and it was a mutually blissful. Touch is a very powerful feeling and its not just physical, as you will notice when viewing this weeks showcase. You’ll be touched by the powerful mobile imagery and the story that unfolds. Each image a story in itself and built together as one hit musical. Expressing creativity is an essential human trait, if you don’t bring forth what is within you, what you don’t bring forth will destroy you (Gospel of Thomas) – not that I’m terribly religious.. No more is this apparent than in one of Britains treasured artists Tracey Emin and I’m off to meet her this week. Perhaps best known for her shortlisted Turner Prize 1999, work entitled ‘My Bed’. I’ll report back on how that goes, wishing you all a very beautiful creative, week ahead.

Thank you to all the talented artists for submitting your works to our showcase this week, it’s one of true splendor. If you would like your work to be considered for entry in to our weekly Mobile Photography and Art Flickr Group, please submit it to our dedicated group, here. You can also submit images to our Instagram tag for this section #mobilephotographyandimagery.

Many congratulations to the following artists for being featured this week:

Tracey Grumbach, Lorenka Campos, Poetic Medium, Karen Axelrad, Kerry Mitchell, Kat McClelland, Barbara Braman, Deborah Field, Clint Cline, Luison, Amo Passicos, Laila, Jun Yamaguchi, Maurizio Zanetti, Candice Railton, Rob Pearson-Wright, Gianluca Ricoveri, Tomaso Belloni, Jill Lian, Donald Williams, Barbara Nebel, Loulou Buntbein, Serigiy Beliayev, Salwa Afef, Catherine Caddigan, Lydia Cassatt, Jon Arne Foss, Juta Jazz.

‘Best Part of Me’ ©Landon Austin

Mobile Photography & Art – Flickr/Instagram Group Showcase – 20 January 2019

20/01/2019 by Joanne Carter

This weeks Mobile Photography & Art Showcase subtly traces the invisible choreographed presence within mobile art, floating, almost as an unseen voyeur, flowing and pausing subtly like a mute docent. The resulting film is calming and as always an intriguing investigation into mobile art throughout the globe, at this very moment. Our art literate audience will feel excitement when viewing this showcase, it’s an exemplar of everything mobile art has flirted with over the past ten years, enjoy!

Many congratulations to the following artists for being featured this week:

Barbara Nebel, Amy Ecenbarger, Loulou Buntbein, Klaudia Cechini, Lorenka Campos, Anadamoy Chatterji, Luison, Cristina Rossi, Candice Railton, Eduardo Llerandi, Oola Cristina, Jon Jon, TheiPhoneArtGirl – Meri Walker, Karen Axelrad, p.a. hamel, Jun Yamaguchi, Paul Yan, Susan Detroy, Gianluca Ricoveri, Kate Zari Roberts, Gina Costa, Amo Passicos, Jean Hutter, Ron Boger, Lydia Cassatt, Kat McClelland, Tricia Dewey, Clint Cine, Dina Alfasi, Susan Rennie, jillian2 – Jill Lian, Juta Jazz, Liliana Schwitter, Emmanuel Tuts-Schie, Hanni K, Tomaso Belloni, Qingxian Guo, Louis Chibbaro, Poetic Medium.

Music this week is ‘Every Moment’ by Dead Times

Mobile Photography & Art – Flickr Group Showcase – 6 January 2019

06/01/2019 by Joanne Carter

There’s much humour to be had at my nightstand, not least in the morning when my husband duels with balancing fresh coffee on the piles of books and there’s a particular book, which I feel should be on every woman’s nightstand ‘Milk and Honey’ by Rupi Kaur. It’s a book of poetry, about healing and hope, discussing themes of love and loss, bringing about an enlightened self. Kaur ends the book with a tender love letter to her readers, thus reads “you have made it to the end. With my heart in your hands. Thank you. For arriving here safely. For being tender with the most delicate part of me. Sit down. Breathe. You must be tired. Let me kiss your hands. Your eyes. They must be wanting of something sweet. I am sending you all my sugar. I would be nowhere and nothing if it were not for you. But was too afraid to be. Do you have any idea how much of a miracle you are? How lovely it’s been and how lovely it will always be? I am kneeling before you. Saying thank you. I am sending my love to your eyes. May they always see goodness in people and may you always practice kindness. May we see each other as one. May we be nothing short of in love with everything the universe has to offer and may we always stay grounded. Rooted. Our feet planted firmly onto the earth”. This book will certainly not be everybody’s cup of tea, I know that and I am overlooking it. If it helps just one of you, then I am happy to mention it here.

Many congratulations to the following artists for being featured this week:

Aylin Argun, Bob Weil, Kat McClelland, Deborah McMillion, Jean Hutter, Sheldon Serkin, Jun Yamaguchi, Candice Railton, Borisbschulz2009, Lorenka Campos, Kerry Mitchell, Oola Cristina, Mim … Kate Zari Roberts, Chad Rankin, Ger van den Elzen, jillian2 – Jill Lian, Francesco Sambati, Michael Beresin, Tomaso Belloni, Poetic Medium, Rob Pearson-Wright, Jean Hutter, Maurizio Zanetti, Y F, Candice Railton, KalterFisch, Clint Cline, Paul Yan, soul_engine, Juta Jazz, Kathy Clay, Eduardo Llerandi, Fleur Schim, Susan Rennie, Gianluca Ricoveri, Amo Passicos, Andreas L, Rita Colan…, Loulou Buntbein, TheiPhoneArtGirl – Meri Walker, before.1st.light – Jane Schultz, Hanni K, Luison.

Music this week is ‘Through the Winter’ by The Woodlands

Mobile Photography – Portrait of an Artist – Twenty Eighth Video Showcase

06/12/201806/12/2018 by Ile Mont

We are delighted to present our 28th Portrait of an Artist Video Showcase. Ile Mont our highly talented Editor for our Portrait of an Artist Column has curated the another astonishing showcase. Each image is related to the previous and the ensuing, the personal associations that underpin their selection remain mysterious. Entirely intentional, this is a bold and atypical showcase, wholly satisfying, signalling a shift away from poetic documentary and towards conceptualism. Enjoy! (Foreword by Joanne Carter)

If you are not a member of our Facebook group we highly recommend that you join us! This is our space for sharing newsworthy information and conducting discussions (what, when, where, why and how) regarding mobile portraiture and portraiture in general.

Please join our Facebook group for information sharing/discussions (link here)

Please upload your portraiture images to our Flickr Group for fortnightly showcase submissions (link here)

Many congratulations to the following artists for being featured this time, including:

Aylin Argun, Karen Axelrad, Jo Sullivan, Lorenka Campos, Damian De Souza, Marguerite Khoury, TheiPhoneArtGirl – Meri Walker, Nicki Fitz-Gerald, Peter Wilkin, before.1st.light – Jane Schultz, Vic, Enio Godoy, Lorenka Campos, Candice Railton, Louise Whiting,