COLUMNS,  StreetWise

Mobile Photography StreetWise Eighth Challenge Results ‘People Working on the Street’

The magic of the street is the mingling of the errand and the epiphany” Rebecca Solnit

Hello Everyone!

Welcome to our Eighth StreetWise Challenge  ‘People Working in the Street.’ We are thrilled to share it with you!

Thank you so much for participating and sharing your wonderful photographs. Lee and I were delighted by all the beautiful submissions to this fun challenge. It was particularly fascinating for us to see how people work in the streets in neighbourhoods from around the world and our showcase beautifully reflects a global coming together.

As always, Lee and I hope you enjoy the showcase as much as we enjoyed putting it together.

A reminder — we choose images for the showcase that are in keeping with our group intention and guidelines  “We believe that it is important to focus on the key aspects of street photography  composition, timing, juxtaposition, catching the decisive moment  rather than relying on too much apping. We therefore feel that apping should be kept to a minimum  cropping, tweaking exposure, colour, adding a grain or texture is okay, but we would like to see you steer away from overly app’ed images that are more art oriented or painterly.”

If you are a mobile street photographer, please consider joining our growing community.

To those new to our street photography community, welcome – it is great to have you join us!

Flickr Group (for weekly showcase submissions) https://www.flickr.com/groups/2750883@N25/pool/

Facebook Group (for information sharing/discussions) StreetWise – Mobile Street Photography – an TheAppWhisperer.com Group

A special thank you to Joanne.

Many congratulations to the following artists for being featured in this showcase including: Paul Yan (Cresting Wave), Christeau Gremaud, Daniel Vondav, Magda DJM, Connie Gardiner Rosenthal, Dave Weinberg (Cellphonesketchpad1), Marizio Zanetti-Mauzzan, Deena Berton, Manuela (Headattackscrealitys), Robin358, Gergely Hando, Luison, Ile Mont, Paula Betlem, Karen Axelrad, Basak Aytek, Guilia.baita, Melissa David, Kate Zari Roberts, Nick Kenrick, JH McBandy Smartphoneographer, Pier Luigi Dodi, Liliana Schwitter.

‘The Cellist’ – ©Ile Mont

Ile’s beautiful photograph depicts a single cellist performing in the street. It is a wonderfully composed photo that brings our 8th StreetWise theme, ‘People Working in the Street’ elegantly to life.

The lone central figure is a street performer. The poignancy evoked from this scene stems from the fact that he is solitary and the plaintive call grows louder upon taking in the grandeur of the architecture in which the cellist is surrounded. The many massive columns and the large classical door behind the man and the neat, cobbled stone of the floor all contribute to a sense of the magnificence. That, and the large scale of the building, let us consider how humans occupy public spaces  in this case, quite a grand one. The classic majesty of this urban environment set against the humanity which resides and works in it also gives rise to the viewer’s imagination. The soft light, (perhaps the result of an overcast day), provides additional storytelling elements. Also, that this solitary street player has no audience that can be detected and that his donations basket seems somewhat bereft. Taken all together these components furnish a lovely play upon our fancy. One can just imagine a modern Dickensian tale set against the backdrop of a magnificent, elegant, yet sometimes, lonely city.

Excellent storytelling, Ile!

 

‘People Working in the Street’ – Paula Betlem

Paula’s photograph has captured our 8th StreetWise theme, ‘People Working in the Street’ to perfection. The viewer is immediately drawn in by the strong composition. The main subject, the stall, the man in it selling clothing, and the single customer are all precisely front and center.

The stall, small in structure (and rather cute for it), is lit up from the inside illustrating the dearth of items for sale within. This is a smile producing element along with the seller’s stance. He is leaning casually with arm on hip, caught in mid-sentence — he seems a real character. Also funny, is the name of the stall: Chez Jef & Fils. All this provides the viewer with an array of amusing questions. What exactly is this man selling in this miniature booth? Is he Chez Jef? What sort of conversation is taking place between the two men? While we contemplate the answers our eyes are further drawn toward the night scene in the background. How the lights move and dance into the distance highlighting the forms of the architecture such as the many windows. The lines of these windows serve to frame the little stall emphasising its central placement, and the single wheel perfectly positions the viewer there as well. We are standing smack dab in the middle with smiles elicited from this fun and lively scene.

Well seen and composed Paula!

 

‘Putting on my Mask’

Paul’s photo is nothing short of delightful and a truly imaginative take on our StreetWise challenge. There is a surreal cinematic quality to the cascading cornucopia of fruit that appear larger than life from the clever perspective Paul has taken. What a gorgeous composition that almost looks like a masterful still-life with the black backdrop highlighting the deep colors of plums, peaches, bananas, and melons.

However, the beauty of this photograph is accentuated by the fact that it is not a still-life at all. As we see the hands holding the plastic wrapped half of a melon and are able to detect just a small glimpse of a person’s profile – a nose, cheek and lips.

The magic of street photography is so well illustrated here as the photo had to be captured in an instant – an instant never to be repeated.

Well seen and captured, Paul!

 

Untitled – ©Daniel Vondav

Daniel’s photo is a wonderful juxtaposition to Paul’s image above as they both highlight hands as the main part of the human form that we can see and another imaginative perspective on our 8th StreetWise challenge, ‘People Working in the Street.’

Daniel’s use of beautiful monochromatic colors in his photo provides a very personal and distinctive signature.

This night scene takes on a ‘Noir’ quality full of mystery with the light from the cart highlighting the popcorn sign, a barely visible profile and the subtle creases of a long sleeved shirt and jeans. It is a great example of how not much detail in a street photo can create a sense of mystery and intrigue and draw the viewer in.

The columnar composition is accentuated by the light in the upper left corner highlighting the cascading monotone popcorn (as opposed to the richly coloured fruit in Paul’s image).

A great image so well captured, Daniel!

 

StreetsAhead Flickr Group Showcase

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Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)