intimate
Interviews,  INTERVIEWS,  IntImate Interview,  News

Mobile Photography Intimate Interview with Hanni König from Marburg, Germany

Our eighty fifth interview in this series of intimate interviews is with talented photographer and artist Hanni König from Marbug in Germany. König demonstrates that human stories are just as powerful as the greatest works of mobile art and photography, as this interview is replete. Enjoy!

To read the other published interviews in this series including artists, Adria Ellis, Rino Rossi, Mehmet Duyulmus, Alexis Rotella, Lou Ann Sanford Donahue, Irene Oleksiuk, Kerry Mitchell, Filiz Ak, Dale Botha, Lisa Mitchell, M. Cecilia Sao Thiago, Deborah McMillion, Rita Colantonio, Amy Ecenbarger, Jane Schultz, Anca Balaj, Joyce Harkin, Armineh Hovanesian, Kate Zari Roberts, Vicki Cooper, Peter Wilkin, Barbara Braman, Becky Menzies, Sukru Mehmet Omur, Sarah Bichachi, Michel Pretterklieber, Alon Goldsmith, Judy Lurie Wahlberg, Andrea Bigiarini, Sean Hayes, Oola Cristina, Kathleen Magner-Rios Linda Toki, Deb Field, Emilo Nadales, Lydia Cassatt, David Hayes, Jean Hutter, Frederic Deschênes, Mark Schnidman, Fatma Korkut, Fleur Schim, Rob Pearson-Wright, Dieter Gaebel, James Ellis, Marco P Prado, Jeronimo Sanz, Manuela Matos Monteiro, Bleu Chemiko, Manuela Basaldella, Stefania Piccioni, Luis Rodríguez, Marilisa Andriani (@mitrydate) Mayte Balcells (@artofmayte), Nicole Christophe, Jennifer Graham, Cathrine Halsør Paul Toussaint, Carol Wiebe, Julie Denning, Kim Clayton (@berleyart), Karen Messick, Serap Utaş, MaryJane Rosenfeld, Paul Suciu, Susan Latty (@pause.and.breathe),John Nieto, Phyllis Shenny, Joy Barry, Max Lies Derdonk, Rita Tipunina, Violet Martins, Nizzar Ben Chekroune, Lynette Sheppard, Paul-Andre Hamel, Rejane Rubino, Susan Detroy, Rosalie Heller, Wayman Stairs, Cintia Malhotra, Anita Elle, Juta Jazz, Cheryl Tarrant and myselfgo here.

What was your earliest childhood ambition?

My grandmother had a friend who illustrated books and drew a weekly series of illustrations in the municipal daily newspaper. She sat in her house and drew only, all day. Her husband was her agent and organised everything else. That seemed to me the perfect existence.

First recognition?

My teachers in art classes always found my drawing talent remarkable, which encouraged me to continue to train my skills patiently.

intimate
‘Andererseits’

First Job?

Baby-sitter. Our neighbour lost her husband early. She had three little boys, the youngest was a few months old. If she needed me, which was the case several times a week, I kept her children safe. Since then, when I was 12 years old, my pocket money has been improved with this job.

Private or State school?

State school, in Germany only a few rich people can pay private schools.

mobile photography
‘Broken things’

University or work?

Work. I applied to the College of Fine Arts, but I had a wait of two years. My father did not want me to do nothing until then, so I had to look for an apprenticeship. When I started the apprenticeship, he did not want to know anything about a change. He thought women didn’t need to study because they marry anyway. When I was 22, I went to the Technical School of Design, against my fathers will. When I graduated after 2 years, it was more important to me to move out of my home. My father was an alcoholic, it was necessary for me to get to safety immediately. Later, however, I always completed summer academy courses and other painting and drawing courses. In retrospect, I was glad that I did not make my interest in art a profession. This way, I can always follow exactly those subjects that are important to me, not those that are profitable.

Who was or is your mentor?

When I was 16, I had a drawing teacher who supported and encouraged me. He tried to convince my father that I should study art. Otherwise, there was never any support from anyone.

mobile photography
‘Whirling in an arc of sadness’

How physically fit are you?

Every day I do exercises for flexibility for 20 minutes and I go to the gym once a week for equipment training. In addition, I walk a lot, I try to walk 10,000 steps a day (which does not always succeed)

Ambition or talent? What matters more to success?

Both. One thing is good for nothing without the other.

mobile photography
‘I love birds’

How politically committed are you?

I`m not in any party, but I`m always informed and am interested. First and foremost environmental protection and equal rights.

What would you like to own that you don’t currently possess?

An own house or a condominium, because the rents are rising and it’s difficult to find a new apartment as a tenant. You just feel insecure if you depend on such developments. But at my age, owning a home is no longer affordable.

mobile photography
‘Cocoon’

What is your biggest extravagance?

I have reduced my working hours to have more time for my personal interests.

In which places are you happiest?

By the sea, by the water.

mobile photography
‘Tabula Rasa’

What ambitions do you still have?

I would like to write and/or illustrate a book. Maybe only for myself. Although it’s too late for a bestseller.

What drives you on?

Hard to say. There is so much. Maybe it’s good that you always try to understand yourself, but never reach that goal. Curiosity, maybe…..

mobile photography
‘What I Know’

What is the greatest achievement of your life so far?

That I’m at peace with myself and made myself largely independent of the opinion of others.

What do you find most irritating in other people?

Superficiality and that people seldom say what they really think.

mobile photography
‘Like a Cathedral’

If your twenty years old self could see you now, what would she think?

“Oh, you’re still alive! I thought you will never be 30 years old…….”

What object that you’ve lost do you wish you still had?

My old Polaroid cameras. I threw them away when the film production stopped. But now there are some new again…… I have new instant cameras. But they are not as good as my old ones.

mobile photography
‘Cut the World’

What is the greatest challenge of our time?

Stopping the destruction of the environment, the achievement or preservation of peace, the fight against male dominance striving.

Do you believe in the afterlife?

Yes. I imagine that one becomes a kind of spirit or disembodied energy and continues to exist on earth, somehow …..

mobile photography
‘Sweet Dreams’

If you had to rate your satisfaction with your life so far, out of 10, what would you score?

8

mobile photography
‘Underground’

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Joanne Carter is a British photography journalist, editor, curator, and the founder of *TheAppWhisperer.com*, one of the world’s leading platforms dedicated to mobile photography and art. Since its launch in 2009, TheAppWhisperer has become an international hub for artists of all levels to discover, learn, exhibit, and engage with contemporary photographic practice.Built on principles of inclusivity, accessibility, and artistic excellence, Joanne has spent almost two decades championing mobile photography as a serious artistic medium. Through interviews, critical essays, exhibitions, competitions, and education, she has helped shape and document the evolution of mobile art on a global scale.Her work has taken her internationally, lecturing on photography and mobile art at institutions and events including the Museum of Art in Seoul, South Korea, alongside appearances in the UK and Europe. She has served as a juror for international photography and mobile art awards across Portugal, Canada, the United States, South Korea, Italy, and the UK.Joanne is also the founder of *TheAppWhispererPrintSales.com*, one of the first online galleries dedicated exclusively to collectible mobile art, connecting artists with collectors across Europe, the United States, and Asia.Before founding TheAppWhisperer, Joanne worked extensively in print journalism and photographic publishing, including roles at a paparazzi photo agency and as deputy editor of a leading photography magazine. Her freelance journalism, criticism, and commentary have been published widely in both the UK and the US, with bylines in *The Times*, *The Sunday Times*, *The Guardian*, *Popular Photography*, *NikonPro*, *DPReview*, *Which?*, *Vogue Italia*, *LensCulture*, the *BBC*, and more recently, the *Financial Times*, where her published letters on photography continue to contribute to wider conversations around the medium.Alongside her editorial and curatorial work, Joanne’s own photographic practice has been exhibited internationally across the UK, Europe, South Korea, and the United States. Her work increasingly explores themes of grief, loss, death, memory, and the body.Her current research interests centre on grief, death, and poverty, with forthcoming postgraduate study leading towards doctoral research in these areas.Joanne is currently developing new long-form writing and photographic projects and is available for commissions, editorial projects, speaking engagements, and collaborations.Contact: joannetheappwhisperer@gmail.com)