Photographic Practice
Michelle Sank on AI, Photography, Truth and Authenticity
Michelle Sank on AI, Photography and the Future of Seeing Michelle Sank was one of the first photographers I thought of when I started putting this series together. Born in South Africa and later settling in Britain, her work has often explored questions of identity, belonging and displacement, examining how people navigate social, cultural and personal change. Over the years, Sank has photographed communities, families and individuals with a quiet sensitivity that allows stories to emerge rather than be imposed upon the viewer. Her projects have taken her from South Africa to the UK and beyond, often focusing on those whose lives lie at the edges of broader political and…
Best Photography Grants, Scholarships and Funding Opportunities in the USA (2026)
Photography has never been an inexpensive profession. Whether you’re funding a documentary project, producing a photobook, travelling for a long-term body of work or pursuing further education, the costs can quickly become overwhelming. The good news is that the United States remains one of the best places in the world for photographers seeking grants, fellowships, scholarships and project funding. Over the years, I have interviewed photographers who have used grants to fund everything from environmental projects and documentary investigations to exhibitions, publications and postgraduate study. Many of the opportunities below provide far more than financial support. They can also offer mentorship, industry recognition, exhibition opportunities and access to influential networks…
How Professional Photographers Build Online Portfolios in 2026
One of the questions I’m asked most often by photographers is whether they still need a portfolio website. After all, many of us spend a significant amount of time sharing work on Instagram, Facebook and other social media platforms. It’s where conversations happen, where communities form and where new work is often first seen. My answer is always the same: yes. Social media is useful, but it isn’t a portfolio. It never has been. Over the years, through TheAppWhisperer, I’ve looked at thousands of photographers’ websites. I’ve interviewed photographers and mobile artists from around the world, reviewed portfolios, judged competitions and followed the development of artists at every stage of…
Between Photography and AI: A Conversation with Dan Marcolina
Dan Marcolina is a photographer, designer, author and visual storyteller whose work spans more than four decades of technological change in image-making. Beginning with traditional lens-based photography, his creative journey has evolved through digital imaging, Photoshop, mobile photography, augmented reality and, more recently, generative AI. An early advocate of digital creativity, Marcolina co-founded with his wife Denise, one of Philadelphia’s first all-digital design studios and has spent much of his career exploring how emerging technologies can expand visual expression while remaining grounded in photographic observation. He is the author of several books on mobile photography, including iPhone Obsessed, one of the first iPhoneography books published, and has lectured internationally on…
Halide Mark III and Why Photographers Still Need to Make Decisions
I’ve been writing about mobile photography for almost two decades, and if I’m honest, I thought I’d seen most of it by now. Every year brings another camera app promising to turn the iPhone into something it isn’t. There are always more controls, more presets, more editing tools, and increasingly, more artificial intelligence. And Halide Mark III made me pause for a different reason. It wasn’t the new editing tools or the collection of Looks that caught my attention. It wasn’t even the promise of producing better photographs. What stayed with me after reading about the update was the sense that Lux is trying to have a conversation about photography…
“The Integrity of the Fine Artist Must Be Preserved” — Rita Colantonio on AI and Photography
Over the past few years, much of my writing and photographic research has increasingly centred on questions of memory, grief, spectatorship, and photographic truth. I have become deeply interested in how photographs shape emotional understanding, how images linger in the mind, influence perception, and quietly alter how we remember experiences long after the moment itself has passed. Photography has never simply been about documentation; it is tied to absence, intimacy, trauma and belief. We do not merely look at photographs; we inhabit them emotionally. At the same time, through my work at TheAppWhisperer, I have spent almost two decades observing and documenting the evolution of mobile photography and digital art from…
