It’s Friday, so that means it’s Gray’s Anatomy! Each Friday, Richard Gray graces us with his humorous mobile photography column, Gray’s Anatomy and this week is no exception as he spills the beans with his techno chat with his mum. Don’t miss this – over to you Richard (forward by Joanne Carter). ‘As my train pulled out of Euston station, I lost my patience. Tap, tap, tap, set all default preferences in apps, yeah, why not, nothing else seems to be working. I had been getting the same message over and over again telling me to do something that, when I tried to do it, found out it wasn’t possible…

Readers of my last column will know I’ve been thinking about switching to Android. Jokingly in one of my recent iPhone photography classes, I said to people: “I’m thinking of going over to the dark side”. I thought it would get a bit of a laugh, but the faces that greeted me weren’t all smiling. Some seemed concerned for my well-being, as if I might have been taking drugs. On others, jaws dropped wordlessly. Others seemed to be accusing me of betrayal. Judas. Admittedly, there’s a clue in the name of this class that might mean people have a certain prejudice. Even my wife looked at me when she realised…

  My eyes have been struggling with the small iPhone screen. After a long scribble session with PS Touch or some intricate masking on Photo Wizard, I find myself slightly bleary-eyed. I think I need more real estate on my screen. And I admit, with my iphone contract coming up for renewal, I have been looking at the “larger” options. And in a world where the big corporations know everything about us, barely a day has gone by when I haven’t received some sort of overture from one of the world’s leading phone manufacturers or networks. Some of the approaches have been quite discrete. I know how these sort of…

There’s a huge building on London’s very salubrious Piccadilly which used to be the home of the Royal Institute for Painters in Water Colors. I know this because the words “The Royal Institute for Painters in Water Colors” are written in large stone letters across the top of the building. People sometimes say of something they’re not quite sure about: it’s not set in stone. The Painters in Water Colors were obviously quite sure of themselves when they moved in and so they decided, yes, let’s set the name in stone. Or perhaps their decision was motivated more by their determination to be considered a serious art form. The Royal…